Una noche de abril de luna
y claridad cuando la primavera
se viste de azahar
una noche de abril
pasó de madrugá
atravesando el cielo
una estrella fugaz
como un rayo de luz
hacia la eternidad
bajo palio de seda iba la soledad
las campanas de bronce
doblaron de amargura
sentí el alma desnuda'
y me puse a llorar.
Ay unos dicen María
y otros Dolores.
Ay según sean alegrías
o sinsabores
Ay una noche de abril
le cantaban saetas
para hacerla sufrir.
Macarena cántale al mundo
tus penas las falticas del cariñoy ábrele tus ríos.
Macarena que la cruz
que las espinas
que el calvario
y las cadenas
también son tu corazón.
Macarena.
Macarena.
Deja ya de padecer.
Macarena sé mujer.
Ay Macarena de Dios.
Perdida en el dolor
de un amargo querer
de pena marchitaba la Rosa de Belén.
Con la resignación la espina de la Fe
su boca no olvidaba la boca de José.
Ay qué terrible amor.
El amor de Yhavé.
Misterio de una madre
que nunca fue mujer
porque un Angel Divino
dejó sobre su vientre
la Semilla Celeste
del sueño de Israel.
Ay cuando cae la noche en la sacristía.
Ay los arcángeles bailan por alegrías.
Ay nadie sabe por qué la pintaba Murillo como a una mujer.
Carlos Cano (1924-1987) was a Spanish singer and composer of copla, a traditional Iberian musical genre. Born in Madrid, Cano began his career in the 1940s, quickly becoming one of the most popular interpreters of copla. His warm and melodious voice, along with his melancholic and romantic compositions, captivated the Spanish public. Among his most famous songs are "El Relicario", "La Paloma del Amor" and "No Me Quieras". Cano collaborated with numerous successful Spanish artists and recorded several albums that became classics of copla. His music is still appreciated in Spain and worldwide, testifying to his lasting influence on Iberian musical culture.
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