circuladô de fulô ao deus ao demodará que deus te guie
porque eu não posso guiá eviva quem já me deu circuladô de
fulô e ainda quem falta me dá
soando como um shamisen e feito apenas com um arame
tenso um cabo e uma lata velha num fim de festafeira no
pino do sol a pino mas para outros não existia aquela música
não podia porque não podia popular aquela música se não
canta não é popular se não afina não tintina não tarantina e
no entanto puxada na tripa da miséria na tripa tensa da mais
megera miséria física e doendo doendo como um prego
na palma da mão um ferrugem prego cego na
palma espalma da mão coração exposto como um nervo
tenso retenso um renegro prego cego durando na palma
polpa da mão ao sol
circuladô de fulô ao deus ao demodará que deus te guie
porque eu não posso guiá eviva quem já me deu
circuladô de fulô e ainda quem falta me dá
o povo é o inventalínguas na malícia da maestria no matreiro
da maravilha no visgo do improviso tenteando a travessia
azeitava o eixo do sol
circuladô de fulô ao deus ao demodará que deus te guie
porque eu não posso guiá eviva quem já me deu
circuladô de fulô e ainda quem falta me dá
e não peça que eu te guie não peça despeça que eu te guie
desguie que eu te peça promessa que eu te fie me deixe
me esqueça me largue me desamargue que no fim eu acerto que
no fim eu reverto que no fim eu conserto e para o fim me
reservo e se verá que estou certo e se verá que tem jeito e se
verá que está feito que pelo torto fiz direito que quem faz
cesto faz cento se não guio não lamento pois o mestre que
me ensinou já não dá ensinamento
circuladô de fulô ao deus ao demodará que deus te guie
porque eu não posso guiá eviva quem já me deu
Caetano Emanuel Viana Telles Veloso (Salvador, April 7, 1942) is one of the most influential singer-songwriters in Brazil. Born into a bourgeois family, he developed a passion for music at a young age, embracing bossa nova and rock. In the 1960s, in Rio de Janeiro, he became part of the Tropicália movement, a cultural explosion that blended traditional Brazilian elements with international influences such as pop, psychedelic, and jazz. Caetano Veloso is known for his innovative melodies, poetic lyrics, and distinctive voice. A key figure in the Tropicália movement, he collaborated with artists like Gilberto Gil, Tom Zé, and Gal Costa. In 1968, following military censorship in Brazil, he was exiled to London. After returning home, he continued to produce highly successful music, exploring new genres such as world music and electronic. Among his most famous songs are "Alegria, Alegria", "Sozinho", "Sampa", and "O Leãozinho". Caetano Veloso is considered a Brazilian cultural icon, whose impact on the music and society of his country remains profound.
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