Sóc un home malvat, dolent de mena,
un assassí ferotge i despietat.
Amb premeditació i per l'esquena,
a sang freda he mort un escarabat
i no m'ha tremolat el pols.
Esclafar-lo (cruix, cruix)
sota el meu peu (cruix, cruix, cruix)
Em fa sentir poderós com un déu,
deixant un rastre d'orfes i vídues arreu.
Sóc una mala bèstia, un malparit, un animal,
un assassí serial i alhora un virtuós, un artista.
Mai no m'enxamparan, no em té fitxat la criminal,
no tinc antecedents, ni mòbils, ni motius,
no deixo pistes.
No he mort el bitxo per qüestions d'higiene
ni perquè m'esgarrifi aquest bestiar.
Ho faig per gust, jo sóc dolent de mena
I m'agrada matar per matar i que no ho sàpiga ningú.
Sentir com cruix (cruix, cruix)
provoca un benestar (cruix, cruix, cruix)
una passada, com després de fumar
un porro carregat d'haixix afgà.
No el coneixia de res, era només un escarbat
que no m'havia fet cap altre mal que un xic de fàstic.
I malgrat tot això l'he deixat sec sense pietat,
no tinc remordiments, he viscut un moment fantàstic.
Mai no improviso, ¿com cal que els ho digui?
Sóc metòdic, científic, cerebral,
trio el momento de l'escarbaticidi
a redossa de la negra nit quan
tothom és al llit, dormint.
L'enllamineixo (cruix, cruix)
amb molletes de pa (cruix, cruix, cruix)
vetllo a les fosques fumant al sofà
i encenc el llum quan més confiat està.
Li barro el pas i li clavo una puntada de peu
que el deixa estabornit, bellugant indefens, panxa enlaire,
les potes cap al cel tremolant a mercè del meu
42 de peu. ¿Sóc o no sóc un déu? No gaire.
Quan recupera el pols l'adrenalina
netejo amb cura l'escena del crim
i torno relaxat a les rutines
de bon pare i marit amorós
on amago els pitjors instints.
Ja coneixeu (Tu, tu... ah)
el meu pecat, però (Tu, tu, tu... ah)
no sabeu pas qui és el pecador,
aneu amb compte, perquè un servidor...
li està agafant el gust a fer neteja impunement
i avui un escarbat, demà... qui sap demà cap on el mena
el tortuós camí de les passions al qui és dolent,
però que molt dolent, dolent de mena.
Joaquín Sabina (born Joaquín Ramón Martínez Sabina on July 15, 1949 in Úbeda, Spain) is one of the most influential and beloved singer-songwriters in Latin music. Known for his incisive poetry, catchy melodies, and raspy voice, Sabina has captivated a vast audience throughout Latin America and the Spanish-speaking world. His musical journey began in the 1960s with experiences in rock bands and Spanish singer-songwriters. In 1975, he released his debut album, "Inventario", which introduced him to the Spanish public. Over the following years, Sabina solidified his fame with albums such as "Malas compañías" (1982), "19 días y 500 noches" (1984) and "El viaje" (1989). His songs often address social, political, and personal themes, always with a touch of irony and sarcasm. Sabina is known for his collaborations with other artists such as Joan Manuel Serrat, Fito Páez, and Miguel Ríos. Some of his most famous songs include "Y nos dieron las diez", "La Mandrágora", "Contigo" and "Pajarita de papel". Besides music, Sabina is also a talented poet with several collections of verses published.
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