Peut tu voir mon drapeau blanc?
je suis fatigué de me battre
ecoute moi un instant
peut tu mentendre sans te debattre eh eh
à qui l faute? Je ne sais plus et puis quimporte si on ne dort plus
je ne nie pas ce qu on a ete mais la pire des prisons reste le passé
oui je reconnais tes blessures de guerre
mais qu est ce que tu crois j y etais aussi
divorce toi de toute cette colère il y va de ta vie
refrain
voici mon mea culpa (fais moi l paix)
avoue moi tous tes coups bas
(je survivrai)
je te montre mes coups bas un peu tard tu me diras
mais il n y a pas d heure pour oublier
il n est jamais trop tard pour pardonner
fais moi la paix eh eh eh eh eh eh eh *2
je jette l eponge
j ai prir assez de coups je quitte l arène
je ne veux plus que le passé me ronge
ce qui me reste de bonheur dans les veines
moi je sors du ring
tu peux y rester
si tu veux y finir je te laisse mes gants
mais fais gaffe aux ovations dans les austrades
s ils applaudissen c est qu ils veulent du sang
ce n est pas pour moi
fais le pour toi
et pour tous les autres qui veulent te connaitre
sors toi de la *2
il y va de ta vie
refrain
fais moi la paix eh eh eh eh eh eh eh *2
peut tu voir mon drapeau blanc?
Car je suis fatigué de me battre eh eh
refrain
fais moi l paix eh eh eh eh eh eh eh *2
peut tu voir mon drapeau blanc?
Je suir fatigue de me battre eh eh
Pierre Corneille (1606-1684) was a French playwright considered one of the most important figures of the 17th century, alongside Molière and Racine. Born in Rouen, he distinguished himself for his successful plays, characterized by a classical structure, incisive dialogues, and memorable characters. Among his most famous works are *Le Cid*, *Polyeucte* and *Horace*. Corneille was influenced by Greek-Roman classicism and Cartesian philosophy, which influenced his worldview and writing style. His works deal with themes such as love, honor, justice, and faith, with a particular focus on the struggle between individual and society. Corneille received numerous accolades during his lifetime, including election to the Académie Française in 1673. His influence on French theatre has been profound and lasting.
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