Eh, mon paradis
Et si le bout de mes rêves, mes rêves
N'était qu'un bout de toi
Et si au bout des tes lèvres, tes lèvres
Renaissait un autre moi
Et si le bonheur qui me fait perdre haleine
N'était pas plus que ça
Et si l'amour avec toi, avec toi c'était ça
Le coup d’œil à l'au delà
Et si on n'a que la vie
Qu'est ce qu'on attend allumons le feu
Et si on n'est que la nuit
Je fais de nous mon dernier vœu
Tu n'as qu'à dire un mot
Prends le temps qu'il faut
Et si c'était toi, mon paradis
Et si c'était moi, ton paradis
Quand on fait ensemble
Nous sommes, nous sommes indéfinis
Je sais qu'ensemble
Nous sommes, nous sommes notre infini
Et si c'était ça, le paradis
Et si dans le fond de tes yeux se révélait un fond de moi
Et si dans le chaud de ton corps je retrouvais enfin la foi
Et si le malheur lui seul dit que tu ne me remarques pas
De quoi aurais-je peur maintenant, maintenant
Je le sais, je le sais que tu ne vois que moi
Tu n'as qu'à dire un mot
Prends le temps qu'il faut
Et si c'était toi, mon paradis
Et si c'était moi, ton paradis
Quand on fait ensemble
Nous sommes, nous sommes indéfinis
Je sais qu'ensemble
Nous sommes, nous sommes notre infini
Et si c'était ça, le paradis
Pierre Corneille (1606-1684) was a French playwright considered one of the most important figures of the 17th century, alongside Molière and Racine. Born in Rouen, he distinguished himself for his successful plays, characterized by a classical structure, incisive dialogues, and memorable characters. Among his most famous works are *Le Cid*, *Polyeucte* and *Horace*. Corneille was influenced by Greek-Roman classicism and Cartesian philosophy, which influenced his worldview and writing style. His works deal with themes such as love, honor, justice, and faith, with a particular focus on the struggle between individual and society. Corneille received numerous accolades during his lifetime, including election to the Académie Française in 1673. His influence on French theatre has been profound and lasting.
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