Well I was caught up with myself
On the highway at night
Drivin like a bat outta hell
When I beheld an amazing sight
It was a lonely apparition
By the roadside standing there
With his thumb out in the wilderness
And a halo in his hair
Chorus:
He said "Gimme a ride to heaven boy
I'll Show you paradise
Yeah gimme a ride to heaven boy
My name is Jesus Christ"
So I come screeching to a halt
I said "Hop on in"
He sais "thanks a lot for the lift
I forgive you of your sins
Yeah I just come from Jerusalem
Where things are going bad
Ahhh gimme a ride to heaven boy
I need to talk to my dad"
Chorus
Well I didn't know what to do
So I jammed her down in gear
Kind a kicked my feet beneath the seat
I was trying to hide the beer
Ahhh but he just grinned and said "My friend,
I know you must think it's odd
But you got nothin to fear about drinkin a beer
If you share it with the son of God"
Chorus
Well I saw good news in his baby blues
So I stomped it on the floor
I said you have to show me how to get there
I ain't been before
"Well it's a hard place to find" he said
"But I'll give you a little clue
It ain't somewhere up in the air
Its sittin right here inside with you"
Then right in the middle of that perfect smile
From his robes he pulled a gun
An stuck it up beside my head and said
"How's this for Kingdom Come?"
Well I pulled off scared but I heard him say
As he left me beneath the stars
"The Lord moves in mysterious ways
and tonight, my son ... He's gonna use your car"
Chorus repeats
Terry Allen is an American artist born in 1947, known for his outlaw country music and conceptual art. He began his career as a painter in the 1960s, collaborating with artists like Jimmie Dale Gilmore and Townes Van Zandt. In 1972, he released his debut album, "Lubbock (On Everything)", a work that blends country, folk, and rock, influenced by the culture of rural Texas. Allen is considered one of the pioneers of outlaw country, with lyrics often introspective and narrative, exploring themes such as loneliness, lost love, and life in the American West. Among his most important albums are "The Man Who Shot Liberty Valance" (1975) and "Amarillo Highway" (1980). Allen continues to produce music and exhibit his artwork to this day, remaining an influential artist in the American musical landscape. Some of his most representative songs are: "Lubbock (On Everything)", "The Man Who Shot Liberty Valance", "Amarillo Highway", and "Santa Fe Railroad Blues".
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