È ma chère maman, devant la porte de la prison,
Avec ses mains sur sa tête, après prier pour moi.
O y'aille, c'est fini, fini pour moi aujourd'hui,
Ni dans mes jours, ni dans les tiens sur la terre du Bon Dieu.
C'est la faute à Joe Féraille, Joe Féraille ce grand canaille.
Il m'a vendu le whiskie, prêté son pistolet.
O, mon pauvre vieux malheureux.
O y'aille petite fille, quoi faire tu m'as fait ses promesses,
Aujourd'hui t'as oublié, t'as pas de souvenir.
O y'aille petite fille, t'auras pas de bonheur dans ta vie.
Je vais m'en aller, ouay, m'en aller pour toujours.
O y'aille dans le grand bois, au fond là bas où ça fait noir,
Les taillaux après japper, après japper pour moi.
C'est la faute à Joe Féraille, Joe Féraille goddamn canaille.
Il m'a vendu le whiskie, prêté son pistolet.
O, mon pauvre vieux malheureux.
J'pourrais jamais oublier le petit cri que t'as poussé,
Comment ta tête a pu tombée, tombée sur tes épaules.
Y'a une lumière qui perce les arbres, un rayon de la pleine lune,
Ç'après briller sur les feuilles, les feuilles tachées de noir.
Travers les barres de ma prison, j'entends le chant du rossignol
Qu'après chanter toute la nuit, toute la nuit pour moi.
C'est la faute de Joe Féraille, Joe Féraille ce grand canaille.
Il m'a vendu le whiskie, prêté son pistolet.
O y'aille, chère misère, comment mais moi, mais moi je vais faire.
À la clarté du soleil, danser sur la potence.
Zachary Richard is an American singer-songwriter, guitarist, accordionist, and violinist of Franco-American descent. Born in Lafayette, Louisiana, in 1952, Richard is known for his American folk music infused with the Cajun and Creole culture of the region. His musical career began in the 1970s performing at local venues and folk music festivals. In 1980, he released his debut album, "Zachary Richard", which achieved moderate success. Richard is considered one of the pioneers of the Cajun Revival movement of the 1980s, contributing to bringing back the traditional Cajun and Creole music. His songs often deal with themes related to culture, identity, and the history of Louisiana. Among his most notable tracks are "Laissez les bons temps rouler", "The Cajun Song", and "Louisiana Blues". Richard has collaborated with numerous American folk, Cajun, and Creole artists, including Doc Watson, Clifton Chenier, and BeauSoleil. His music has been featured in films and television programs, helping to spread the musical culture of Louisiana worldwide.
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