Soy mi esclavo interior
que restaña sus heridas mordiéndose los puños.
Soy un extraño anterior
volatinero que desata falsos firmamentos.
Y es que hoy
que este fuego incontrolado arrasa el pensamiento,
hoy que soy prisionero en mis deseos,
queda lejos mi antiguo culto estoico.
Habrá lugar para los errantes,
habrá tiempo de errar.
Hoy pienso en la canción del emigrante,
la del turista residual.
Ahora que el bombeo de la sangre
descorazona extrañamente,
hoy pienso en la canción del emigrante.
En gente atrapada que lucha en su desierto,
en la gente corriente.
Una ciudad llena de gente pasmada,
ese sería yo pidiendo ayuda.
Pidiendo ayuda,mano tendida,
buscando plenitud; ese animal esquivo.
Un rudimentario destino de hueso y luz anaranjada,
ese sería.Un lanzador espacial necesitado
de abrazaderas y raigambres yo sería hoy.
Y es que hoy que un descontrolado fuego
arrasa el pensamiento,
hoy que soy prisionero y te deseo,
queda lejos mi antiguo culto estoico.
Habrá lugar ?.emigrante,la del viajero emocional.
Ahora que varado y diletante
la tablazón se va combando,
hoy pienso en la canción del emigrante.
De gente indignada en busca de portentos,
en la gente corriente.(4v)
Y no se trata de amor o desencuentros.
Nada de años perdidos.
Ni tan siquiera añorar ese fulgor inherente a las vidas.
Hoy sólo quiero ganar la mano a la impaciencia
y a la desidia que atrae la mueca desolada.
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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