Y si llueve saldremos a la lluvia a lavar las minas que van acumulando mugre
de palo de gallinero..
Tanta mentira, tanto fingir, tanto desastre?
Desnudos sobre el mascaron de proa.
Lamiendo con la punta de la lengua,
el tinte que desprende la máscara,.
Se arrecia el viento norte abajo telas,
calzarse botas y escribir las archas
sobre la superficie caminamos, que sobre la superficie nos salvamos.
No solo pueden ellos, y mejor si no hay motores, tenemos velas!?
no solo pueden ellos, y mejor si no hay motores, tenemos velas
Bajo nosotros, los huesos y las piedras que son los sentimientos de nuestra incierta gloria.
Y si llueve saldremos a la lluvia, a vaciar el semillero de sonrisas y esperar cosechas?
En la silla de parar las prisas, tanto correr, tanto asentir, tanto quemarse?
El viento te traerá nuevos encuentros, amores nuevos y una vida dulce? más plena cuanto menos soberbia,
Si arrecia el viento norte abajo velas, calzarse botas y elaborar archas, sobre la superficie nos salvamos desde lo más profundo respirando?
No solo pueden ellos, y mejor si no hay motores, tenemos velas? bajo nosotros los huesos y las piedras que son los sedimentos de nuestra incierta gloria.
Bajo nosotros tejidos los momentos que manan de la calma lo único que cuenta.
No solo pueden ellos.. y mejor si no hay motores, tenemos velas.
No solo pueden ellos? y mejor si no hay motores, tenemos velas?
Bajo nosotros las huellas y las piedras serán el rudimento de nuestra incierta gloria..
Bajo nosotros ceñidos los momentos que manan de la calma lo único que cuenta
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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