Ya el verano abandona sus hojas
y el fino cordón por donde baja mi pálpito de hiedra,
haciendo filigrana dibuja fortalezas de frontera.
No pasarán, no han de pasar
la grisura ni el vacío inmesurable
que sucede al aviso de unos ojos diciendo adiós.
Adiós ahora sí, esta vez sí, para siempre, adiós.
Y el valor consitiría en hacer astillas
el endeble andemiaje de errores cometidos
y admitir que simplemente hemos vivido.
Eso sí, bajo el peso de nuestra propia ley de gravedad.
Arriba, siempre arriba, sin pensar en la caída.
Ya el venaro sombrea sus hojas.
Y el fino pensar donde se rasga mi pálpito de ausencias,
haciendo filigrana
compone y remendando regenera.
No pasará, no ha de pasar
que de un azar disfrazado arme barreras.
No quiero otros ojos que me miren diciendo adiós.
Adios ahora sí, esta vez sí, para siempre, adiós.
Sólo candorosa esperanza de un austero viajar,
un recomponer los pedazos, un digno renquear.
Ahora prueba a no juzgar y a perder
el miedo a las derrotas, porque el mar, los océanos,
igual que acunan pueden engullir.
Y aún así, todos buscamos luminoso amanecer,
propicio viento.
Adentro, mar adentro mientras quede un solo remo.
A nadie le gusta besar el polvo.
A nadie le gusta morder el polvo.
A nadie le gusta.
A nadie le gusta besar el polvo.
A nadie le gusta morder el polvo.
A nadie le gusta.
A nadie.
Y es que a nadie le gusta.
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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