In the dead of night, I'm held in a gaze
My heart has a habit of shedding light on my numerous mistakes
And they wear me down allied with the ghosts of pain that keep me awake
Oh, the past can paralyze if you ponder the paths you didn't take
With the chance to go back and amend every grievance
How could I resist preventing my demons
From ever existing and making a mess
Of the life that I could have had
Would I return to you
To the love I knew
Or would I have undone
All the good that gives misery meaning
And where could you have gone
The only right I had wronged
Lost in the chapters we changed
Oh despite all my skeletons, I see
All is as all should be
Still it's hard not to imagine
How different our lives would be if given the chance
To fix every failure, to rewrite the canon
What character would I be if my conscience was clean
What would become of me
Would I return to you
To the love I knew
Or would I have undone
All the good that gives misery meaning
And where could you have gone
The only right I had wronged
Lost in the chapters we changed
Oh despite all my skeletons, you see me
With the chance to go back and amend every grievance
How could I resist preventing my demons
From ever existing and making a mess
Of the life that I could have had
Would I return to you
To the love I knew
Or would I have undone
All the good that gives misery meaning
And where could you have gone
The only right I had wronged
Lost in the chapters we changed
Oh despite all my skeletons, I see
All is as all should be
The Dear Hunter is a full-time musical project of Casey Crescenzo, former member of the post-hardcore band The Receiving End of Sirens. The band's sound is not unlike that of Casey's former band, but with more alternative and progressive rock tendencies and a wider variety of instrumentation. Crescenzo has defined the project as a "continuously evolving concept album", with each album representing a chapter in an overarching narrative story. The Dear Hunter's music is characterized by catchy melodies, poetic lyrics and intricate arrangements, spanning from progressive rock to folk, passing through electronic and classical elements. Among the most representative tracks are "The Color of the End", "Act IV: The Sun and the Moon" and "The World's a Beautiful Place". Crescenzo has collaborated with numerous artists throughout his career, including members of bands like The Used and Saosin.
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