Con la intención gallarda de los vencejos y los lebreles
Arrebatada llegaste a mí, herida en tempestades de nieves
De un Carnaval de restos, de surcar aguas emponzoñadas
Góndolas tristes de cartón piedra y malas compañías
Me proponías otros febreros
Me dibujabas mapas sin coordenadas
Voces tan ciertas de libertades
Partir hacia las cumbres con presteza
Que el día lo valía, decías
Y el tiempo apremiaba
Y ardieron los fuegos y nos comimos la tarta entera
Y cuando nada quedaba, aún era tanta el hambre
Que nos comimos hasta las velas
Viajando por carreteras donde bramaban las fieras
Buscando la traca, la fiesta y el escarceo
Casi nos salimos del mapa
Con el saber eterno de los esclavos, las ofrecidas
Ferruginosa llegaste a mí, vestigios nuevos en horas bajas
De un devenir de sombras, de devaneos en la maleza
De rasgaduras sin parpadeo, me demandabas partir en naves
Partir en naves sin peso muerto, la buena carga de los afanes
Sin otras ansias que ser la flecha, ya no el arquero
No hay mejor guía, decías, que el tenue brillo de las estrellas
Y ardieron los fuegos y nos comimos la tarta entera
Y cuando nada quedaba, aún era tanta el hambre
Que nos comimos también las velas
En lugares perdidos, bañándonos en los ríos
Y ateridos de frío, hacíamos fuego en la balsa
A riesgo de dejarla sin tablas
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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