Déjate de ciudades, de relojes de arena, sí
De levantar paredes en la llanura yerma, que sí
Que a tantos atrapa, a algunos devasta
Para muchos es niebla
No quiero encorvarme contra tantos miedos
Si las torres caen, seré jinete sin freno
Ya soy jinete sin freno
Si todo arde, arderemos
Si el mundo para, caminaremos
Si todo acaba, empezaremos
Cabalgar quimeras, que traguen los perros
Hacia la historia baldía
Hacia la historia baldía
Déjate de ciudades, de palomas al vuelo
Deja el balcón abierto, que entren vientos que barran, sí
Que nos arrastren alto, nos vuelquen a un cielo, que sí
Que a tantos rechaza, a tantos devasta
Corazones ciegos
No quiero querencias ni andar por las ramas
No quiero lamentos
Seré jinete sin freno, desbaratando recelos
Si todo arde, arderemos
Si el mundo avanza, nos pararemos
Si todo empieza, continuaremos
Atendiendo a la voz queda que rasga el velo
Hacia la historia baldía
Si todo arde, arderemos
Si el mundo para, caminaremos
Si todo acaba, empezaremos
A la voz ronca del tragafuegos
Hacia la historia baldía
Hacia la historia baldía
Hacia la historia baldía, aha
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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