No fue precisamente humo de abrojo
Lo que aquel incendio me dio
Sino una llama rumorosa, viva y poderosa
Fuerte, que mi carne mordió
Tu tiro envolvente
Me dio pase a puerta
Y derroché con ganas eso que me sobra
Pasión y ese infierno
Mantis religiosa, al que me abocaste
Luego de acabarme
Mantis religiosa, al que me lanzaste
A medio devorarme
Como no queriendo
Recuerdo haberte entrado
Desbarrando ya
Sin medir el roto
Recuerdo haber llegado a ti de sobrao'
Necio, como el que ha bebido un poco
Recuerdo
Como enloquecido
Pretendiendo dar puntada sin hilo
Estar hasta el cuello
Ya estar en el embolao'
Mantis religiosa
Fiera de ese infierno
Al que me abocaste
Mantis religiosa, diosa de inframundo
Después de acabarme
Como no queriendo
No fue precisamente humo de abrojo
Lo que el incendio me dio
Ahora que no habrá marcha atrás
Que arda el decorado
No queda otra que apechugar
Y ahora que me encuentro
En la descubierta
De esta cruda intemperie
Me digo sereno
Que la vida diera
Que la vida diera
Por volver al fuego
De humo de tu caverna
Mantis religiosa
Volver a tu fuego, volver a tu vera
Recuerdo haber entrado derrapando ya
Sin frenar un poco
Recuerdo haberte entrado desbarrando
Y tú, sin medir el roto
Y por recordar, recuerdo muy bien
Que a tu lado el mundo se desvanecía poquito a poco
Recuerdo, cómo enloquecido
Sólo vi en ti el bocado exquisito
Con mi ceguera de aquellos tiempos
No vi la pantera que escondías dentro
Recuerdo haber llegado a ti
Ya más no recuerdo
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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