We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Oaktown, L.A., San Fran, St. John
People give your ears so I be sublime
It's enjoyable to know you and the concubine
Niggas, take off your coats ladies, act like gems
Sit down, Indian style, as we recite these hymns
See, lyrically I'm Mario Andretti on the mo-mo
Ludicrous, we speedy, or infectious with the slow-mo
Heard me in the eighties, J Beez on the promo
On my never ending quest to get the paper on the caper
But now, let me take it to the Queens side
I'm taking it to Brooklyn side
All the residential Questers to invade the way
Hold up a second son, 'cause we almost there
You can be a black man and lose all your soul
You can be white and blue but don't crap the roll
See my shit is universal, if you got knowledge and dolo
Of delf for self, see there's no one else
Who can drop it on the angle, acute at that
So, do that, do that, do do that that that(come on)
Do that, do that, do do that that that(O
K)
Do that, do that, do do that that that
I'm bugging out, so let me get back 'cause I'm wettin niggas
So run and tell the others 'cause we are the brothas
I learned how to build mics in my workshop class
So give me this award, and let's not make it the last
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Chinatown, Spokane, London, Tokyo
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Houston, Delaware, DC, Dallas
Back in '89, I simply slid into place
Buddy, buddy, buddy all up in your face
A lot of kids was busting rhymes but they had no taste
Some said Quest was wack, but now is that the case
I have a quest to have the mic in my hand
Without that, it's like Kryptonite and Superman
So Shaheed come in with the sugar cuts
Phife Dawg's my name, but on stage, call me Dynomutt
When was the last time you heard the Phifer sloppy
Lyrics anonymous, you'll never hear me copy
Top notch baby, never coming less
Sky's the limit, you gots to believe up in Quest
Sit back, relax, get up out the path
If not that, here's the dance floor, come move that ass
Non-believers, you can the steps
I roll with Shaheed and the brother Abstract
Niggas know the time when the Quest is in the jam
I never let a statue tell me how nice I am
Coming with more hits than the Braves and the Yankees
Living mad phat like an over sized Bam-bi
The wackest crews try to dis, it makes me laugh
When my track record's longer than a DC-20 aircraft
So, next time that you think you want something here
Make something deffer, take that garbage to St. Elsewhere
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
S.C., Maryland, New Orleans, Motown
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Chinatown, Spokane, London, Tokyo
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Houston, Delaware, DC, Dallas
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
Funkmaster Flex, real name Aston Taylor, is an American DJ and record producer born in New York City in 1968. Considered one of the pioneers of turntablism, he has made a significant contribution to the development of hip hop in the 1990s. He began his career as a DJ in Harlem clubs before gaining national fame thanks to his radio show "The Flex Show" on Hot 97. His energetic and innovative style, which included scratching, beat juggling and bold mixes, has influenced generations of DJs and hip hop artists. Flex is known for his iconic interviews with world-renowned rappers like Jay-Z, Nas and Eminem, contributing to the launch of many emerging artists' careers. Besides his radio work, Flex has produced several successful albums and singles, collaborating with artists like Lil Wayne, Snoop Dogg and 50 Cent. Among his most representative tracks are "The Flex Show Theme", "Hip Hop Is Back" and "Get It In."
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
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