Porque de ti volví a aprender el nombre de las cosas.
Porque de ti volví a aprender lo necesario.
Pan, casa, destino, camino.
De ti volví a aprender. Del bosque
de tu alegría. De manos
de tu sereno misterio.
Quedaba mucho por hacer:
arreglar la huerta,
hablar con los perros,
pasear por las orillas del otoño.
Quedaba mucho por hacer.
Quedaba mucho.
Porque de ti volví a aprender lo necesario.
A prescindir de lo inútil,
que nada es precario.
Del brillo de tus ojos
a disfrutar el tiempo lento.
Y cuatro cosas útiles de tu gesto cierto.
Y muchas cosas más de ti aprendí.
Y quedaba mucho por hacer.
A tirar el lastre, de eso que es la existencia.
Del tráfico, del peso de los lunes.
Gris, cielo, hoguera, camino.
De películas malas.
A robarle el tiempo al minutero,
que los relojes matan el tiempo.
Quedaba mucho por hacer:
recoger los sueños en las noches frías
como cuando no hay peces recojo las redes vacías.
Quedaba mucho por hacer.
Quedaba mucho.
Aprendí a sumar lo lógico y lo incierto.
A poner la mesa.
Aprendí a tolerar la presencia necesaria
de las arañas.
Aprendí a soportar sólo lo soportable.
Y quedaba mucho por hacer,
rechazar el tedio, luchar contra él.
Y quedaba mucho por hacer.
Limpiar de malas hierbas el prado,
arrancar las rejas y cercados.
Hacer montones: perros con gatos.
Hacer montones: soles y estrellas.
Borrar las señales de vuelo
para que los pájaros sean dueños del cielo.
Y quedaba mucho por hacer...
Y quedaba mucho por hacer...
Y quedaba mucho por hacer...
Y quedaba mucho por hacer...
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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