El calor que tú me has dado
no volvió en ningún momento.
No encontré otro mirlo blanco.
No lo hay bajo el firmamento.
Del vuelo de tus palomas,
del ala de tu sombrero,
me columpié en el alero
de los aires que te dabas.
Abanicos por pestañas
que cada vez que me mirabas
se me doblaban las cañas
varitas de paragüero.
La sombra de una palmera
es alimento del alma.
Ahora que todo ha pasado;
neblina del sentimiento.
Añoranza de otro tiempo
en que me honraba tu presencia
que fue tu amistad sincera,
desinteresada y cierta.
De la sombra, de la sombra que yo amé.
De la sombra, de la sombra que se fue.
La sombra de tu palmera
me cobija, es un encuentro.
Con sus brazos me rodea,
me apacigua el sufrimiento.
Es un desierto de esperas,
de amaneceres ardientes,
de mañanas que florecen
como troncos de serpientes.
La sombra de una palmera
es alimento del alma,
es un desierto de arena.
Ahora que todo ha pasado,
neblina del sentimiento.
De la sombra, de la sombra que yo amé.
De la sombra, de la sombra que se fue.
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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