Penacho de plumas, penacho de espuma
como de cerveza,
como rubia trenza que no cesa.
De subir, de subir a lo alto
hasta la azotea a mirar el cielo.
Donde vives ahora,
en una casa baja;
donde pasas las noches
en tu cama de escarcha.
Mándame en un sobre
tu sonrisa rota.
Rápido García.
Yo te la compongo.
Se reparan botas,
bolsos de cuero y alpargatas,
canastos de mimbre, diademas de borlas.
Que no hay nada más.
Que no hay nada más
mientras nuestros labios se quieran besar...
Que no hay nada más.
Que no hay nada más
mientras nuestros labios se quieran besar...
Que no hay nada más
mientras nuestras bocas se quieran besar.
Con nieve de nardo
yo te la remiendo.
Con tela del aspa
de un molino viejo.
Con polvo del brillo
de un trozo de espejo.
Con el rabo blanco
de un gato perplejo.
Que no hay nada más.
Que no hay nada más
mientras nuestros labios se quieran besar...
Que no hay nada más.
Que no hay nada más
mientras nuestros labios se quieran besar...
Que no hay nada más.
Que no hay nada más
mientras nuestros labios se quieran besar...
Que no hay nada más.
Que no hay nada más
mientras nuestras bocas se quieran besar.
Mándame en un sobre
tu sonrisa rota.
Yo te la compongo
que soy zapatero.
Que soy zapatero,
que soy zapatero remendón...
Que soy zapatero,
que soy zapatero remendón...
Que soy zapatero,
que soy zapatero remendón.
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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