Subo escalas, bajo escalas,
Busco el diapasón perfecto.
Roto el dique, fuerzo el karma,
Nada calma mi ansiedad.
Si es precario el mundo,
Más lo es vivir al borde de una sima
Que unos pocos ahondan.
Por qué hemos de admitir que esos pocos
Puedan hacer sufrir a tantos
Y envolver nuestras vidas de gris.
Fragor y lágrimas
En seres, marionetas frenéticas.
Hoy soy cometa
En páramos yermos
De rabia y frustración.
Fragor y rabia
Me hastía ser
Frenético títere
De unos derviches
Con mente de páramo gélido.
Subo notas, bajo escalas,
Arde el diapasón perfecto.
Roto el dique, fuerte el karma,
Recio viento barrerá
Albañales de mentiras.
Calmo el miedo, bebo el aire,
No hago juego, no doy más
No, no voy a jugar más
No más penitencia.
Fragor y lágrimas
En seres, marionetas frenéticas.
Soy un asceta
En páramos yermos
De rabia y frustración.
Fragor y rabia.
Me hastía ser
Frenético títere
De unos derviches
Con mente de páramo gélido.
En páramo gélido.
En páramo gélido,
Recio viento. Clamor barrerá.
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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