(konishi)
Translator: andrei cunha
(youd better watch out
Youd better not cry
Come on everybody
Its time to celebrate)
Jûnigatsu nijûyokka
Anata wa
Nani wo shiteru
Watashi wa
Machi no dokoka de
Zutto anata wo matteruuuuuu
Tôkyô wa itsudatte
Itsudatte nigiyaka da kedo
Jûnigatsu nijûyokka
Hitori-kiri wa sukoshi samishii
Denwa mo konakunatte
Ishûkan kurai da kedo
Yakusoku
Wasuretenai deshô
Jûnigatsu nijûyokka
Anata wa
Doko ni iru
Watashi wa
Machi no dokoka de
Zutto anata wo matteru
Watashi wa
Itsudatte
Itsudatte anata ga suki
Sekai-jû no dare yori mo
Ichiban ai shite iruuuuuuuu
Jûnigatsu nijûyokka
Anata wa
Nani wo shite iru
Watashi wa
Machi no dokoka de
Zutto anata wo matteruuuuuu
(we are listening
To a xmas song)
Denwa mo konakunatte
Ishûkan kurai da kedo
Yakusoku
Wasuretenai desh?
Jûnigatsu nijûyokka
Anata wa
Doko ni iru
Watashi wa
Machi no dokoka de
Zutto anata wo matteru
--------------------------------
(youd better watch out
Youd better not cry
Come on everybody
Its time to celebrate)
Its xmas eve
What are
You doing
I am
Somewhere in tokyo
Waiting for youuuuuuu
Tokyo is always
Its always a lively place
But its xmas eve
And I feel lonely all by myself
You havent called me
For about a week
I hope you havent forgotten
Were supposed to meet
Its xmas eve
And what
Are you
Doing
I am somewhere in tokyo
Waiting for youuuuuu
I will always
Always
I will always like you
More than anybody in the world
I love youuuuuuuuuuuuu
Its xmas eve
And what
Are you
Doing
I am somewhere in tokyo
Waiting for youuuuuu
(we are listening to a
Xmas song!)
You havent called me
For about a week
I hope you havent forgotten
Were supposed to meet
I will always
Always
I will always like you
More than anybody
In the world
I love youuuuuuuuuuuuu
Pizzicato Five was a Japanese pop band formed in Tokyo in 1984 by multi-instrumentalists Yasuharu Konishi and Keitaro Takanami. While it began as a quintet, after personnel changes in the late 1980s the band gained international fame as a duo consisting of Konishi and vocalist Maki Nomiya. With their music blending together 1960s pop, jazz and synth-pop, the group were a prominent component in the Shibuya-kei movement of the 1990s.
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