Llega el viento del recuerdo aquel
al rincón de mi abandono
y entre el polvo muerto del ayer
también volvió tu querer.
Yo no sé si vivirás feliz
o si el mundo te ha vencido
viviendo sin querer vivir
buscás la paz de morir.
Duda de tu ausencia y de mi culpa
pena de tener que recordar
sueño del pasado que me acusa
manos que no quieren perdonar,
dolor amigo de estar con tu sombra
remordimiento de saberte buena
dolor lejano de oír que te nombran
las voces muertas que se obstinan en volver.
Ya no sueño que retornarás
al fracaso de mi vida
ni tampoco que en tu palpitar
tendré un afán para andar.
Sólo quiero que si estás también
en la cruz del abandono
sepas olvidarme en su perdón...
Total, mirá lo que soy.
Pena de tu ausencia sin retorno
pena de saber que no vendrás,
pena de escuchar en mi abandono
voces que me acusan al llegar.
Dolor amigo de estar con tu sombra
remordimiento de saberte buena
dolor lejano de oír que te nombran
las voces muertas del ayer feliz.
Homero Manzi (1905-1938) was an Argentine poet, lyricist, screenwriter, and film director. Considered one of the most important figures in the bohemian cultural movement of Buenos Aires during the 1930s, he distinguished himself for his profound and poetic lyrics, often focused on social and political themes. Manzi was an active member of the Boedo Group, a cultural current that promoted popular art and the fight against fascism. He collaborated with some of the greatest Argentine composers of the time, including Aníbal Troilo, Carlos Gardel, and Juan D'Arienzo. His songs, such as "Malena", "La Cumparsita", and "El Choclo", have become classics of Argentine tango and continue to be performed worldwide. Besides music, Manzi also dedicated himself to writing film screenplays and directing films. His life was marked by a deep passion for social justice and the fight against the injustices of his time. Manzi died prematurely at only 33 years old, leaving a significant cultural legacy that continues to inspire artists and tango enthusiasts to this day.
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