All Night Long Blues Trk 9 Disc 1 3:12
Peetie Wheatstraw (William Bunch)
(Bunch)
Recorded: March 15, 1932
Aug 18, 1934 Decca 7081
Album: Peetie Wheatstraw Essentials Album
Allego Classic Blues CBL 200037
Stay out all night long
Now just to keep you off my mind
Stay out all night long
Babe, now-now keep you off my mind
Well now you keep me worried baby
In an alley barefoot all the time
Once was a good girl
Ain't no be that way no mo'
Now don't forget a day, baby
You drove me from yo' do'
Once was a good girl
They don't preach that way no mo'
An don't forget a girl, now little may matter
Babe, now you drove me from yo' do'
How do you feel
When you drive a good man from yo' do'?
How do you feel
When you drive a good man from yo' do'?
Well-well, now you must stop, look an listen
Maybe your best friend, you don't know
(piano)
Spoken:
When it's hard sometime when you get in bad luck.
Sometimes that a man don't know just what to do.
But I'm 'onna tell you what I'm 'onna do for myself
I'm 'on get me one .45, now I take care of myself then.
What would you do now, little mellow?
You come walking to my do'
An I will tell you about this
'Please don't come here no mo'
What would you do
If you come walkin' to my do'?
Well then I tell you
'Bye-bye, you not 'onna come here, no mo'
There's something I'll tell you
Don't turn a good man from your do'
Now there's far something I tell you
Don't drive a good man from your do'
Well-well, now you may need his help someday, baby
Hm-well-well, you don't know.
~
Peetie Wheatstraw, pseudonimo di William Bunch (1903-1956), è stato un musicista e cantante blues statunitense. Considerato una figura chiave del blues degli anni '30, la sua musica era caratterizzata da testi spesso oscuri e provocatori, che affrontavano temi come il diavolo, la morte e l'amore proibito. Nonostante la sua immagine iconica lo ritrassi con una chitarra resofonica, Wheatstraw prediligeva il pianoforte per le sue incisioni. La sua musica ha influenzato generazioni di artisti blues e rock 'n' roll, contribuendo a definire l'immagine del bluesman come figura oscura e misteriosa. Tra i suoi brani più rappresentativi ricordiamo "I'm Gonna Be A Devil", "The Devil's Got My Woman" e "Peaches and Cream".
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