Anno dazumal - medley, part I
Als der Großvater die Großmutter nahm,
da wußte man nichts von "Mamsell" und "Madame".
Die züchtige Jungfrau, das häusliche Weib -
sie waren der Stolz noch an Seel' und an Leib!
Komm' in meine Liebeslaube, in mein Paradies,
denn in meiner Liebeslaube träumt es sich so süß.
Wenn in den Büschen verliebt die Heimchen schwirren,
zärtlich die Taubenpäarchen girren,
freundlich der sanfte Mondschein lacht,
hält Amor die Liebeswacht.
Und dann schleich' ich still und leise -
immer an der Wand lang, immer an der Wand lang,
heimwärts von der Bummelreise -
immer an der Wand lang, immer an der Wand lang!
Zankt zu Haus' auch meine Olle -
immer an der Wand lang, immer an der Wand klang.
Ja, ick bin 'ne dolle Bolle -
immer an der Wand, an der Wand entlang!
Springe, mein Liebchen, ach springe
rasch auf die Schaukel du.
Springe und schwinge, ich singe
mein Schaukellied dazu.
Engelchen lassen dich fliegen,
fliege im Sonnenschein!
Sieht man die Engel so fliegen,
schaut man in den Himmel hinein!
The Comedian Harmonists were an internationally famous, all-male German close harmony ensemble that performed between 1928 and 1934 as one of the most successful musical groups in Europe before World War II. The group consisted of Harry Frommermann (tenor buffo) Ari Leschnikoff (first tenor) Erich Collin (second tenor) Roman Cycowski (baritone) Robert Biberti (bass) and Erwin Bootz (pianist). Their musical style, a mix of light music, popular songs and musical comedies, made them extremely popular throughout Europe. The Comedian Harmonists recorded numerous successful records, including "Veronika" and "Bei mir bist du schön", which became anthems of their era. Their career was interrupted by the rise of Nazism in Germany, which led to the persecution of Jewish artists like Ari Leschnikoff. Despite the short duration of their activity, the Comedian Harmonists left an indelible mark on the history of European light music.
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Kitschkrieg
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Doremi