David Hinds
FEEL LIKE
I feel like a gunslinger
Just a wait just a wait just a wait
Waiting to pull trigger
I'm so eager
With my itchy finger
Just can't wait a just can't wait
I can't wait to chase
CHORUS
Babylon the Bandit
Dash him in a bottomless pit, yeh
Babylon
Dash him way in a de pit now
Coming from a den of scavengers
Out they come to steal
To rape the Earth of it's beauty
The truth must be revealed
Bring forth Liberation Posse
The chase must now begin
Fire to all downpressors
Death is the wages of sin
CHORUS
Babylon the Bandit
Dash him in a bottomless pit, yeh
Babylon the Bandit
Dash him way in a de pit now
Babylon the Bandit
Dash him in a bottomless pit, yeh
Babylon
Dash him way in a de pit now
Coming from a den of scavengers
Out they come to steal
To rape the Earth of it's beauty
The truth must be revealed
Bring forth Liberation Posse
The chase must now begin
Fire to all downpressors
Death is the wages of sin
CHORUS
Babylon the Bandit
Dash him in a bottomless pit, yeh
Babylon
Dash him way in a de pit now
Babylon the Bandit
Dash him in a bottomless pit, yeh
Babylon
Dash him way in a
De bottomless pit, yeh
Their words were smoother than butter
War was in their hearts
Their words were like the softest oil
They made a lie sound real
Watch out
Whip it!
CHORUS
Babylon the Bandit
Dash him in a bottomless pit, yeh
Babylon
Dash him way in a de pit now
Babylon time has caught up on you
Babylon Rasta prophecy true
Steel Pulse is one of the most successful British reggae bands, both creatively and commercially. Hailing from Handsworth, Birmingham, they began performing in the 1970s, blending authentic reggae roots with jazz and Latin influences. This unique approach earned them an international following, leading to the release of their debut album, "Handsworth Revolution", in 1978. Widely considered a landmark in British reggae, the album marked the beginning of a successful career. Before the end of the 1980s, Steel Pulse won a Grammy Award, cementing their status as prominent crossover reggae artists. In subsequent years, the band returned to roots sounds, incorporating elements of dancehall and hip-hop. Notable tracks include "Ku Klux Klan", "Sound System", "Steppin' Out" and "Jah Jah City".
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