[M.I.A.]
When I'm, when I'm
When-when-when I'm
Banging on the radio
B-b-b-banging on the radio
When I'm banging on the radio
B-b-b-banging on the radio
Chain hits my chest
When I'm banging
On the dashboard
My chain hits my chest
When I'm banging
On the radio
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls do it well
Bad girls do it well
Bad girls, well
Bad
Get back, get down
Pull me closer
If you think you can hang
Hands up, hands tied
Don't go screaming
If I blow you with a bang
Ah, Suki Zuki
I'm coming in the
Cherokee Gasoline
There's steam in
The window screen
Take it, take it
Wheel's bouncing
Like a trampoline
When I get to where I'm going
Gonna have you trembling
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls, well
Bad girls do it well
Bad girls, well
Bad girls do it well
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls, well
Bad girls do it well
Bad girls, well
Bad girls do it well
[Missy Eliott]
Okay okay they call me
Missy Miss, bad bitch
No one mad like the average
Don't you ever try to confront me
You get smashed like ham sandwiches
Scandalous, vandalous
M.I.A. they can't handle this
We on fire like candlestick
And get the crowd pumped up like asses
Money in my pocket
And I'm bouncing like hydraulic
And the beat be so retarded
Makes me kicking like karate
Roll, got that flow
Make that freaks wanna get down low
Get down low make em touch them toes
..I got them flows ain't you worry foe
Grab your , grab your titties
DJ's, play the hit
Classical, epicness
Me and M.I.A. we too legit
[M.I.A.]
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls, well
Bad girls do it well
Bad girls, well
Bad girls do it well
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls, well
Bad girls do it well
Bad girls, well
Bad girls do it well
[Azealia Banks]
Late night
Coming down Broadway
Niggas ain't stuntin'
They riding the four train
These niggas ain't fly, got wings like always
You’re finger-fuckin' the pussy
Lickin' it all day
Niggas on me cause my position is real sweet
Niggas on me cause all my fabrics cost change
He ain't stylin enough to be ballin
Kobe Bryant, Odom, Ray Allen, and Paul Pierce
Combined in one frame
Part of ?? water, but this my wave
You take orders like a chicken sauté
Tartar sauce on the fried fish I ate
Bitches tried to shimmy my shake
Bitches try to Diddy my ma$e
Who runs the city, I'll break both legs
Best thing going, y'all bitches is okay
Bitches on the wrong course, this my lane
Proper, proper all my propaganda
Puffin with some Rastas
Puffin better puff a shot
Whistle for my masters, coke headed models
Dope on arrival, visa is en casa
Been in Bahamas
Eating all this chocolate
Tell me Willy Wonka-Wonga
I'm a Mac Truck
And you niggas are Tonkas
Niggas act up then it's gorillas and their armours
Get clapped up nigga you can get applauded
Stitch you back up, get you fitted in your garments
It will be me on the roof with the harness
Just AZ I don't need no accomplice
Better roll deep with little GG, CC, we we
I'm a bust a nigga and gun him in his pee pee
Niggas better hide their little brother when they see me
All these niggas riding when they cholos till the heat squeeze
[M.I.A.]
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls, well
Bad girls do it well
Bad girls, well
Bad girls do it well
Live fast, die young
Bad girls do it well
Live fast, die young
Bad girls do it well
Bad girls, well
Bad girls do it well
Bad girls, well
Bad girls do it well
Azealia Amanda Banks, known professionally as Azealia Banks, is an American rapper and singer born in Harlem, New York, in 1990. Considered one of the most influential figures of the new generation of hip-hop artists, Banks stands out for her eclectic musical style that blends elements of rap, pop, R and B, and electronic music. Her career is characterized by a bold personality and provocative lyrics that address themes such as sexuality, gender identity, and social inequalities. After gaining notoriety thanks to independent mixtapes, Banks signed with Prospect Park Records in 2011. Her debut album, "Broke with Expensive Taste", was released in 2013 and received positive reviews from critics for its originality and musical eclecticism. Among her most notable songs are "212", "Liquorice", and "Chasing Time". Despite initial success, Banks has often found herself at the center of controversies due to her provocative statements on social media. Despite the difficulties, Azealia Banks remains an important figure in the contemporary music scene.
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