You couldn't break me in the end... (oh no)
And such a freedom I enjoy
When you're deaf to the sounds you trust
If that was all you've got, my friend... (oh no)
Then set yourself to disappoint
Yeah...
Feels like I'm strapped down on this table... so tight
You've got me stuck to a razor's edge
And I'm trapped in a deadbolt glove
You stand to cut me or enable... oh no
And such a streak starts steading heads
And I live for the things I love
Sad, but maybe it's true
Push you back's what I'll do
And it's just enough
To keep you back one second longer
Take a little more than what I've got
It's all I have to please you
Break a little piece of what you want
Bite back the hand the feeds you
Remember when things seem so stable... you know that
I compromise just to appease
Yeah, you take but you take too much
If what you need's not seeming able... yeah, right
Then maybe it works when I leave
Yeah, you fake what you say you love
Sad, but maybe it's true
Push you back's what I'll do
And it's just enough
To keep you back one second longer
Take a little more than what I've got
It's all I have to please you
Break a little piece of what you want
Bite back the hand the feeds you
Take a little more than what I've got
It's all I have to please you
Break a little piece of what you want
Bite back the hand the feeds you
Move faster
I can't move enough
How much longer?
Is this long enough?
We can't be
And it won't even catch your attention
And it pains me so to mention
Sad, but maybe it's true
Push you back's what I'll do
And it's just enough
To keep you back one second longer
Take a little more than what I've got
It's all I have to please you
Break a little piece of what you want
Bite back the hand the feeds you
Take a little more than what I've got
It's all I have to please you
Break a little piece of what you want
Bite back the hand the feeds you
Take what I've got
It's all I have to please you
Break what you want
Bite back the hand the feeds you
Take what I've got
It's all I have to please you
Break what you want
Bite back the hand the feeds you
The All-American Rejects sono un gruppo musicale pop americano formatosi alla fine degli anni '90 a Stillwater, Oklahoma. Il loro primo EP è stato pubblicato indipendentemente nel 2000, seguito da un secondo EP, *Same Girl, New Songs*, nel 2001. Dopo aver fatto tour con l'EP, la band ha firmato con Doghouse Records e il loro album di debutto omonimo è stato rilasciato nel 2002. L'album ha raggiunto la posizione numero 25 nella classifica Billboard americana e ha avuto un discreto successo anche nel Regno Unito, dove si è piazzato al numero 19. Il successo dell'album è dovuto in parte al singolo *Swing Swing*, che ha raggiunto il top ten della classifica US Modern Rock e ha ottenuto una buona diffusione radiofonica. Altri brani rappresentativi includono *Dirty Little Secret* e *Move Along*. Il loro secondo album, *Move Along*, pubblicato nel 2005, ha consolidato il successo del gruppo con la hit omonima che ha raggiunto la posizione numero 1 nella classifica US Modern Rock.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!