Gripping the wheel, his knuckles went white with desire! The wheels
of his Mustang exploding on the highway like a slug from a .45. True
death: 400 horsepower of maximum performance piercing the night...
THIS IS BLACK SUNSHINE.)
Yeah! Move me in the silence baltic motorway ahng me on the edge
before I fall away!
Apocalypse is dawnin' action on the mile.
A "can-do" revolution. Earth to the river [nile]!
Sweet'n the ride - Black Sunshine!
Sweet'n the ride - Yeah!
Sweet'n the ride - Black Sunshine!
Sweet'n the ride - Yeah!
Cry a river "cosmic." Moon in Scorpio, feel her body "breathe." Acid
radio!
Tell me that you like it - when I'm going down! Tell me that you like
it!
Move to the speed of [sound]
Sweet'n the ride - Black Sunshine!
Sweet'n the ride - Yeah!
Sweet'n the ride - Black Sunshine!
Sweet'n the ride - Yeah!
Go! Slide into - I said "44" cool heart can. A hypnotize dream into
infinity!
I turned the love to lies!
Crawl across the water - wave and sink into the sea!
Reflect'n onto everything that you can never be! "Check-out"
Yeah! To the devil a daughter comes 2000 worlds away!
Yeah! Bron to lose the love you choose - Destroy another day -- CHECK
OUT!!!
Sweet'n the ride - Black Sunshine!
Sweet'n the ride - Yeah!
Sweet'n the ride - Black Sunshine!
Sweet'n the ride - Yeah!
Stare into the T.V. kiss off the pain! Wonderland is falling - no
sing - no rain!
Momentary - damage into the high drift me to the circuit sky.
(Finally nothing moves. High noon - Blacktop rolling below the
asphalt drive. A concrete fascination scraping the edge of nothing!
THIS IS BLACK SUNSHINE!)
La Sexorcisto: Devil Music Volume One is the third studio album by American heavy metal band White Zombie, released on March 30, 1992, through Geffen Records. The album marked a major artistic and commercial turning point for the band. After the recruitment of guitarist Jay Noel Yuenger, White Zombie was able to successfully embrace the metal sound they had pursued since Make Them Die Slowly (1989), while incorporating groove-based elements into their sound as they evolved away from their roots in punk rock and noise rock. The album was the band's last to feature drummer Ivan de Prume.
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