I changed the lock on my front door so you can't see me anymore
And you can't come inside my house, and you can't lie down on my couch
I changed the lock on my front door I changed the number on my phone so you can't call me up at home
And you can't say those things to me that make me fall down on my knees
I changed the number on my phone I changed the kind of car I drive so you can't see me when I go by
And you can't chase me up the street, and you can't knock me off of my feet
I changed the kind of car I drive I changed the kind of clothes I wear so you can't see me anywhere
And you can't spot me in a crowd, and you can't call my name out loud
I changed the kind of clothes I wear I changed the tracks underneath the train so you can't find me again
And you can't trace my path, and you can't hear my laugh
I changed the tracks underneath the train [guitar solo] I changed the name of this town so you can't follow me down
And you can't touch me like before, and you can't make me want you more
I changed the name of this town I changed the lock on my front door, I changed the number on my phone
I changed the kind of car I drive, I changed the kind of clothes I wear I changed the tracks underneath the train, I changed the name of this town
I changed the name of this town
I changed the name of this town
Lucinda Williams is an internationally acclaimed American singer-songwriter known for her country/folk style characterized by introspective lyrics and evocative melodies. Daughter of American poet Miller Williams, she began her musical career in the 1970s, quickly gaining a following of fans thanks to her powerful voice and refined songwriting. A three-time Grammy Award winner, she was named “America’s best songwriter” by TIME magazine in 2002. Among her most important albums are *Car Wheels on a Gravel Road* (1998), considered a classic of the alternative country genre, and *Blessed* (2003). Some of her most representative songs include «Passionate Kisses», «Free» and «Concrete and Barbed Wire Heart».
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