(clive westlake)
It isn't the way that you look
And it isn't the way that you talk
It isn't the things that you say or do
Make me want you so
It is nothing to do with the wine
Or the music that's flooding my mind
But never before have i been so sure
You're the someone i dreamed i would find
It's the way you make me feel
The moment i am close to you
It's a feeling so unreal
Somehow i can't believe it's true
The pounding i feel in my heart
The hoping that we'll never part
I can't believe this is really happening to me
I close my eyes and count to ten
And when i open them you're still here
I close my eyes and count again
I can't believe it but you're still here
We were strangers a moment ago
With a few dreams but nothing to show
The world was a place
With a frown on its face
And tomorrow was just, i don't know
But the way you make me feel
The moment i am close to you
Makes today seem so unreal
Somehow i can't believe it's true
Tomorrow will you still be here?
Tomorrow will come but i fear
That what is happening to me
Is only a dream
I close my eyes and count to ten
And when i open them you're still here
I close my eyes and count again
I can't believe it but you're still here
I close my eyes and count to ten
And when i open them you're still here
Dusty Springfield, born Mary Isabel Catherine Bernadette O'Brien (London, April 16, 1939 – Henley-on-Thames, March 2, 1999), was a British singer whose impact on the history of British fashion and popular music in the 20th century is comparable to that of Mina in Italy or Dalida in France. Mary was the second daughter of Gerard and Catherine (Kay) O'Brien, Irish immigrants settled in one of the working-class neighborhoods on the north outskirts of London. She grew up in the suburb of Ealing and already as a child earned the nickname Dusty for her tomboyish attitude. She inherited her passion for music from her maternal grandfather, who encouraged her to listen to authors like George Gershwin, Richard Rodgers, Cole Porter, Count Basie, Duke Ellington, and Glenn Miller. Her musical role model as a girl was Peggy Lee. In 1958 she left school and, responding to an advertisement in a newspaper, joined the Lana Sisters group. Thanks to this experience, she learned vocal harmony and stage work. In 1960 she began her solo career under the stage name Dusty Springfield, achieving immediate success with songs like "I Only Want to Be with You" and "Stay Awhile". Throughout the 1960s and 1970s, she gained international fame thanks to albums like "Dusty in Memphis" (1969), considered a masterpiece of British soul. Her powerful voice, her elegant style, and her ability to interpret pop, soul, and rhythm and blues songs with great sensitivity made her one of the most admired artists of her generation. Dusty Springfield was also a pioneer for women in music, challenging gender norms and achieving lasting success despite the difficulties of the music world.
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