(Lerner / Lowe)
Hear my voice
Where you are
Take a train
Steal a car
Hop a freight
Grab a star
Come back to me
Catch a plane
Catch a breeze
On your hands
On your knees
Swim or fly
Darling please
Come back to me
On your mark
Now get set
Hop a mule
Hop a jet
In a towel wringing wet
I don't care
This is where you should be
From the hills to the shore
Ride the wind to my door
Turn the highways to dust
Break the law if you must
Move the world
Only just come back to me
Must I yell 'til I'm blue?
Where are you and will you
Come back to me?
Have you gone to the moon
Or the corner saloon?
In Rome or Rangoon
I'm a wreck
Where in heck can you be?
In a crate
In a trunk
Half asleep
Roaring drunk
In a rolls or a van
Anyway that you can
I'd be so nice to come home to
Lover come back
Come back to me
Dusty Springfield, born Mary Isabel Catherine Bernadette O'Brien (London, April 16, 1939 – Henley-on-Thames, March 2, 1999), was a British singer whose impact on the history of British fashion and popular music in the 20th century is comparable to that of Mina in Italy or Dalida in France. Mary was the second daughter of Gerard and Catherine (Kay) O'Brien, Irish immigrants settled in one of the working-class neighborhoods on the north outskirts of London. She grew up in the suburb of Ealing and already as a child earned the nickname Dusty for her tomboyish attitude. She inherited her passion for music from her maternal grandfather, who encouraged her to listen to authors like George Gershwin, Richard Rodgers, Cole Porter, Count Basie, Duke Ellington, and Glenn Miller. Her musical role model as a girl was Peggy Lee. In 1958 she left school and, responding to an advertisement in a newspaper, joined the Lana Sisters group. Thanks to this experience, she learned vocal harmony and stage work. In 1960 she began her solo career under the stage name Dusty Springfield, achieving immediate success with songs like "I Only Want to Be with You" and "Stay Awhile". Throughout the 1960s and 1970s, she gained international fame thanks to albums like "Dusty in Memphis" (1969), considered a masterpiece of British soul. Her powerful voice, her elegant style, and her ability to interpret pop, soul, and rhythm and blues songs with great sensitivity made her one of the most admired artists of her generation. Dusty Springfield was also a pioneer for women in music, challenging gender norms and achieving lasting success despite the difficulties of the music world.
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