Stay at home
Phone that should be ringin'
Quiet as a picture on the wall
Now, tea for one, a song I'm used to singin'
Walking up and down an empty hall
Takin' off a wrinkled dress
That you never got to see
Then you come a-knockin' at my door
You know you could've fooled me
You've got me comin' and goin' baby
And I never know exactly what to do
So I ask myself why should I care?
What is it I see in there?
That makes the same old line sound like it's new?
Oh I'm comin' and goin' crazy over you, ah
Ahh, you and me
Once we get together
For a little while we're Jack and Jill
Baby, baby, now face to face, it's too good to believe it
Sure enough, you leave me standing still
You're a complicated man
But I do the best I can
I go in and out of heaven so fast
I don't know where I am
You've got me comin' and goin' baby
And I never know exactly what to do
So I ask myself why should I care?
What is it I see in there?
That makes the same old line sound like it's new?
Oh, I'm comin' and goin' crazy
Comin' and goin' crazy
You've got me comin' and goin' baby
And I never know, now I never know, what to do, ahh
You've got me comin' and goin' baby
You just don't know what you put me through
When the only face I see is you
You've got me comin' and goin' baby
Say the magic isn't really gone
It's you I'm still depending on
Dusty Springfield, born Mary Isabel Catherine Bernadette O'Brien (London, April 16, 1939 – Henley-on-Thames, March 2, 1999), was a British singer whose impact on the history of British fashion and popular music in the 20th century is comparable to that of Mina in Italy or Dalida in France. Mary was the second daughter of Gerard and Catherine (Kay) O'Brien, Irish immigrants settled in one of the working-class neighborhoods on the north outskirts of London. She grew up in the suburb of Ealing and already as a child earned the nickname Dusty for her tomboyish attitude. She inherited her passion for music from her maternal grandfather, who encouraged her to listen to authors like George Gershwin, Richard Rodgers, Cole Porter, Count Basie, Duke Ellington, and Glenn Miller. Her musical role model as a girl was Peggy Lee. In 1958 she left school and, responding to an advertisement in a newspaper, joined the Lana Sisters group. Thanks to this experience, she learned vocal harmony and stage work. In 1960 she began her solo career under the stage name Dusty Springfield, achieving immediate success with songs like "I Only Want to Be with You" and "Stay Awhile". Throughout the 1960s and 1970s, she gained international fame thanks to albums like "Dusty in Memphis" (1969), considered a masterpiece of British soul. Her powerful voice, her elegant style, and her ability to interpret pop, soul, and rhythm and blues songs with great sensitivity made her one of the most admired artists of her generation. Dusty Springfield was also a pioneer for women in music, challenging gender norms and achieving lasting success despite the difficulties of the music world.
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