Aldo's standing at his tableand he's wondering if he's ableto pick the number right this timehe watches as the wheel stops spinningsees the number that is winningas he reaches for his glass of wineonce he starts it's hard to stophe's keepin' up a pace like a tight wound clockbe sure you don't step in his wayhe'll keep those numbers rollingthis may be his last dayas all the bets are taken
Aldo light a smoke, he's shakin'from carnation right to the groundhe knows tonight holds one last chance'n gives the wheel a final glanceslippery fingers drop the money downoncehe start s it's hard to stophe's keepin' up a pace like a tight wound clockand as he leaves the table,"no luck today"you can rest assuredhe's comin' back to try again
Wind him up, he can't stophe's wound up tight just like the clockthat's winding its second hand downwind him up, he can't stophe keeps on going 'round the clockhe's winding his second hand downwind him up, he won't stophe's wound up tight just like the clockthat's winding its second hand downwind him up, he won't stophe keeps on going 'round the clockhe's winding his second hand downwind him up, he can't stophe's wound up tight just like the clockthat's winding its second hand downwind him up,h e can't stophe keeps on going 'round the clockhe's winding his second hand....
Pablo Milanés Arias (1943-2023) was a Cuban singer-songwriter considered one of the pillars of the Nueva Trova movement, which revolutionized Cuban popular music in the 1970s. Along with Silvio Rodríguez and Noel Nicola, Milanés was among the founders of this movement, characterized by poetic lyrics and simple but effective melodies. His music explored social, political, and personal themes with deep sensitivity and intense emotional charge. Among his most famous songs are "El breve espacio en que no estás", "Yolanda" and "Como un río que corre". Milanés collaborated with numerous international artists, including Joan Manuel Serrat and Ana Belén. His music transcended national borders, captivating audiences worldwide.
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