Dick was obsessed with his dick.
He would beat off at least three times a day:
In the morning, when he woke up,
Right after or right before dinner,
Or right before he went to sleep.
If he didn't get in his three daily beat-off sessions,
He was a pain in the ass to be around.
He jerked off to tv-
Especially I Dream of Jenie and Dynasty and Charlie's Angels;
He pulled his pud to porno books;
He even jerked off
To the underwear ads
In the magazine section of the Sunday New York Times.
If you were a girl, talking to him on the phone,
Chances are he was beating his meat to the sound of your voice.
'Cause coming was his raison d'etre.
One time he was in the middle of jerking off to Vanna White on Wheel of Fortune
When a job offer came to him over the phone
And he needed the job bad
But he told the man he'd call him right back,
'Cause he needed to come more than he needed the job.
It wasn't that he was ugly or afraid of women or anything like that
He just honestly preferred his right hand.
I saw him the other day,
And he told me that last friday he was with two girls at their place
And they both wanted him to stay over.
But he went home,
Called up another girl,
and jacked off while talking to her.
I don't know why he tells me this stuff.
Dick's a fucked up guy.
King Missile is an avant-garde band led by poet/singer John S. Hall since 1986. The project has gone through various incarnations over the years. Currently, Hall performs with a new version of the first incarnation, King Missile (Dog Fly Religion). The sound of King Missile is characterized by poetic and surreal lyrics, often ironic and satirical, accompanied by musical arrangements that range from alternative rock to folk, passing through jazz and electronic influences. Among the group's most well-known songs are "Deisel", "Jesus Was a Cross-Dresser" and "The Ballad of the Sad Young Men". King Missile has released several albums including "Everybody Wants to be King Missile" (1990) and "Happy Hour" (1993).
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