Si, ahora que el racismo se pone de frente
una aclaracin que confunda tu mente
no es el peruano el que te quita el trabajo
no es el argentino que viene de abajo.
Es el otro extranjero, ese otro extranjero,
Es el otro extranjero, ese otro extranjero.
El que te hambrea no es el boliviano, no, no,
tampoco tu vecino mi querido hermano.
Son los extranjeros, son los otros extranjeros,
los otros extranjeros, los otros extranjeros,
esos, (el otro extranjero)
estos, (extranjero de adentro)
Quienes te quitan lugar,
son los otros extranjeros,
Quienes te quitan lugar,
son los otros extranjeros,
quien es el que te quita el lugar,
es el otro extranjero,
quien es el que te quita el lugar,
es el otro extranjero.
Ahora bien, como es ese otro extranjero,
es bacan, elegante, con don de mando y gran vocacin empresarial,
experto en macropolitica y bioingenieria comercial,
si la ganancia no sube, no dudara en expulsar,
y despus por medio sueldo volver a esclavizar
al peruano, al chileno, al argentino, al que venga,
pues descienden de razas mas avanzadas,
infinitamente mas esforzadas,
ellos son mas civilizados y blancos que tu,
son realmente, los otros extranjeros.
Quienes te quitan lugar,
son los otros extranjeros.
Quienes te quitan lugar,
son los otros extranjeros.
Quien es el que te quita el lugar,
es el otro extranjero.
A quien habria que echar,
es al otro extranjero.
Extranjeros,
extranjeros,
extranjeros,
extranjeros,
extranjeros,
extranjeros,
Extranjeros de adentro.
Te van a echar, te volveran a contratar,
te van a echar y de nuevo,
te volveran a contratar (pagando la mitad)
Quienes te quitan lugar,
son los otros extranjeros.
Quienes te quitan lugar...
es al otro extranjero.
Aha... si.
te van a echar y de nuevo,
te volveran a contratar (pagando la mitad).
Los Prisioneros were one of the most influential rock bands in Chile. Formed in San Miguel in 1984, the group quickly conquered the Chilean music scene with an energetic and political sound, blending elements of punk, new wave, and Latin music. Their style is characterized by incisive lyrics that address social and political issues, often satirically and critically towards the Chilean military regime of the time. Among their most representative songs are "La muralla", "Estrellas del rock" and "El baile de los que sobran". The debut album "Los Prisioneros" (1986) is considered a classic of Chilean rock, followed by other successes like "Corazones" (1987) and "La revolución de los sueños" (1989). The band disbanded in 1990, but their impact on Chilean music has been profound.
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