Ah! Look at all the lonely people
Ah! Look at all the lonely people
Eleanor Rigby, picks up the rice in a church
Where a wedding has been
Lives in a dream
Waits at the window, wearing the face
That she keeps in a jar by the door
Who is it for?
All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?
Father McKenzie, writing the words
Of a sermon that no one will hear
No one comes near
Look at him working, darning his socks
In the night when there's nobody there
What does he care?
All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?
Eleanor Rigby, died in the church
And was buried along with her name
Nobody came
Father McKenzie, wiping the dirt
From his hands as he walks from the grave
No one was saved
All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?
Mark Murphy (1932-2015) was an American jazz singer known for his use of vocalese, a vocal style in which words are adapted to melodies and performed in harmony or improvisational fashion. Born in New York, Murphy began his career in the 1950s, collaborating with musicians such as Chet Baker, Gerry Mulligan, and Bill Evans. His vocal style was characterized by a great melodic sensibility and an exceptional ability to imitate musical instruments. Among his most important albums are "The Mark Murphy Quartet" (1960) and "Rah!" (1964). Some of his most representative songs include "I Love You", "Black Coffee", and "My Funny Valentine". Murphy is considered one of the greatest interpreters of vocalese of all time, influencing generations of jazz singers.
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