Dans la cohue de la salle des pas perdus
Elle courait après son train du soir
Je l'attendais depuis déjà tant d'années
Le temps d'y croire elle m'avait échappé
Elle était oh, oh, oh, oh
Et moi j'était comme un fou
Elle était oh, oh, oh, oh
A se mettre à genoux
Des cheveux blonds
Y'en avait plein les wagons
Mais ce n'était pas ce que je cherchais
Six heures trente-six
En direction de Senlis
Et chaque tour de roue me répétait
Qu'elle était oh, oh, oh, oh
Et moi j'était comme un fou
Elle était oh, oh, oh, oh
A se mettre à genoux
Dans ce train qui se traîne
Dans les forêts d'HLM
Sous un ciel de fumée
Elle se cache (...)
Dans un coin de fenêtre
Mais comment la trouver
Elle était oh, oh, oh, oh
Et moi j'était comme un fou
Elle était oh, oh, oh, oh
A se mettre à genoux
Dans mon train qui s'envole
Je vois des gondoles
Des pigeons des palais
En gare de Venise
Elle me donne sa valise
C'est comme si j'y étais
Mais je n'y suis pas
J'ai la banlieue devant moi
Et une fille qui saute sur le quai
En gare de Sorcelles
Le temps de voir que c'est elle
Mon train repart et elle disparaît
Elle était oh, oh, oh, oh
Et moi j'était comme un fou
Elle était oh, oh, oh, oh
A se mettre à genoux
A se mettre à genoux
Joe Dassin (Joseph Ira Dassin, 1938-1980) was an American-born French singer and songwriter. Considered one of the greatest French music artists of the 1960s and 1970s, Dassin captivated audiences with his warm voice and romantic, catchy songs. A polyglot, he could express himself and sing in English, French, German, Spanish, Italian, and Greek. Born in New York to French parents, he moved to France at the age of 18 to pursue music. His breakthrough came with the song "Les Champs-Élysées" (1970), which became a national anthem of France. Among his most famous songs are also "Salut les copains", "Et si tu n'existais pas", and "Laissez-moi danser". Dassin collaborated with numerous French artists, including Claude François and Gilbert Bécaud. His music is still widely appreciated in France and around the world.
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