Non ho amici che si ammazzano di bombe,
ma si ammazzano di popper:
filosofi bastardi
Gliela lecco con il trucco che le cola
e le mani alla gola:
penso possa bastarmi
Alle 6 di mattina mi sveglia a pugnalate
Il diavolo attira il giorno di Natale
Sta puta mi ammira fino a farmi male
Disturbata compulsiva fino a farsi dare
Vuole che la leghi al letto,
che le strappi il petto,
tanto è già vuota dentro
Come un cecchino
prendo, miro, sparo:
ho fatto centro
Le entro così dentro
da spaccarle il mento
Goddamn, sono pronto per il payback
No more, no more: hit the road jack
Sono un killer elegante, chiamami Jeff
Mi manca Salmo: quello di "Redneck"
Uh, mi perdo negli occhi blu
Vorrei fingere di stare bene da quassù
Lei si spoglia, maledetta, sopra un pezzo blues
Ha già un cazzo nella sua borsetta Jimmy Choo
Sex pistols, mi morde il labbro e sanguino
alla Sid Vicious
Sono il mai visto
Sono il mai detto
Voglio il mic, Cristo
Torni a casa in una gabbia nera come a Windsor
E lasciami da solo stanotte sotto,
anime e coltre, amore no no
Riempi la mia camera insonne
se si sveglia la morte, amore non ho
mai vissuto questo Caronte
tra le luci e le porte,
amore non so
distinguere se bacia o se morde,
plenilunio di notte, amore Norton
Trunchell, Etc., the stage name of Francesco Truncellito, is an Italian singer-songwriter born in Matera on January 6, 2000. After gaining experience as a musician in various punk and alternative rock bands, in 2017 he began to focus on songwriting, creating his first lyrics and giving life to a particular subgenre of rap, “horrorcore”. His musical evolution led him to experiment with different sonic dimensions and authorial expressions, always connected to introspection and the direct and straightforward language typical of rap. His releases, enveloped in creepy and melancholic sounds, are a plunge into a complex universe, sometimes almost distorted, narrated through lyrics saturated with historical, biblical, and esoteric references. Trunchell, Etc. is an unconventional artist who draws intense and convulsive scenarios through the pen of a sharp and incisive writer who delves into clichés and moralism to bring to light discomforts, weaknesses, and uncomfortable themes, with the awareness that what disturbs moves and the hope of a collective awakening that can transform into a more attentive and constructive future. Among his most representative tracks are "The End of the World", "Shadow" and "Stone Dreams".
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