En groupe en ligue en procession
En bannière en slip en veston
Il est temps que je le confesse
A pied à cheval et en voiture
Avec des gros des p'tits des durs
Je suis de ceux qui manifestent
Avec leurs gueules de travers
Leurs fins de mois qui sonnent clair
Les uns me trouvent tous les vices
Avec leur teint calamiteux
Leurs fins de mois qui sonnent creux
D'autres trouvent que c'est justice
Je suis de ceux que l'on fait taire
Au nom des libertés dans l'air
Une sorte d'amoraliste
Le fossoyeur de nos affaires
Le Déroulède de l'arrière
Le plus complet des défaitistes
L'empêcheur de tuer en rond
Perdant avec satisfaction
Vingt ans de guerres colonialistes
La petite voix qui dit non
Dès qu'on lui pose une question
Quand elle vient d'un parachutiste
En groupe en ligue en procession
Depuis deux cents générations
Si j'ai souvent commis des fautes
Qu'on me donne tort ou raison
De grèves en révolutions
Je n'ai fait que penser aux autres
Pareil à tous ces compagnons
Qui de Charonne à la Nation
En ont vu défiler parole
Des pèlerines et des bâtons
Sans jamais rater l'occasion
De se faire casser la gueule
En groupe en ligue en procession
Et puis tout seul à l'occasion
J'en ferai la preuve par quatre
S'il m'arrive Marie-Jésus
D'en avoir vraiment plein le cul
Je continuerai de me battre
On peut me dire sans rémission
Qu'en groupe en ligue en procession
On a l'intelligence bête
Je n'ai qu'une consolation
C'est qu'on peut être seul et con
Et que dans ce cas on le reste
Jean Ferrat, born Jean Tenenbaum (1930-2010), was one of the most beloved and influential French singer-songwriters of the 20th century. Born in Lyon to a Jewish family, his music always reflected a deep social and political commitment. After starting as a jazz musician, Ferrat dedicated himself to chanson in the 1960s, finding success with songs like "La Montagne" and "Auprès de mon arbre". His warm and powerful voice, accompanied by poetic and reflective lyrics, won over the French public. Ferrat addressed themes such as war, poverty, love, and freedom, becoming a symbol of resistance and hope for many. Among his most important albums are "L'Homme à la guitare" (1965) and "Le Chant du monde" (1970). His music continues to be appreciated and listened to in France and around the world.
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