Can you hear the drums Fernando?
I remember long ago another starry night like this
In the firelight Fernando
You were humming to yourself and softly strumming your guitar
I could hear the distant drums
And sounds of bugle calls were coming from afar
They were closer now Fernando
Every hour every minute seemed to last eternally
I was so afraid Fernando
We were young and full of life and none of us prepared to die
And I'm not ashamed to say
The roar of guns and cannons almost made me cry
There was something in the air that night
The stars were bright, Fernando
They were shining there for you and me
For liberty, Fernando
Though I never thought that we could lose
There's no regret
If I had to do the same again
I would, my friend, Fernando
If I had to do the same again
I would, my friend, Fernando
Now we're old and grey Fernando
And since many years I haven't seen a rifle in your hand
Can you hear the drums Fernando?
Do you still recall the frightful night we crossed the Rio Grande?
I can see it in your eyes
How proud you were to fight for freedom in this land
(Repeat x2)
There was something in the air that night
The stars were bright, Fernando
They were shining there for you and me
For liberty, Fernando
Though I never thought that we could lose
There's no regret
If I had to do the same again
I would, my friend, Fernando
Yes, if I had to do the same again
I would, my friend, Fernando...
Billy Vaughn, stage name of Richard Vaughn (1921-1986), was a renowned American musician known for his interpretations of pop and easy listening music in the 1950s and 1960s. Vaughn was a versatile multi-instrumentalist who played piano, saxophone, trumpet, and violin. He began his career as an orchestra conductor in jazz and swing bands before moving on to lead orchestral groups dedicated to light music. His orchestra, Billy Vaughn and His Orchestra, quickly gained popularity thanks to songs like "The Yellow Rose of Texas", "Melody of Love" and "Theme from 'A Summer Place'" which reached the American music charts. Vaughn was also the artistic director of Dot Records, an independent American record label. His music helped define the easy listening sound of the 1950s and 1960s, characterized by catchy melodies, sophisticated orchestral arrangements, and a relaxing atmosphere.
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