I'm coming down with it - becoming feverish
I look at you and I see everything that I detest
My blood begins to boil when my life starts to mimic yours
So quick to gratify yourself in fevered lunacy
Your affliction is the same infection inside me
Love - what I hate - and I hate everything that I've become
Do - what I despise - every second of my life contradicts my words
Turn - from what I need - only selfishly - just to lust and feed
Nauseated and repulsed at my deeds
I put my hand to my head and I am becoming feverish
You disgust me - I disgust me
Disgust - disdain - disgust - in pain
This life - making me sick
Rampant - plague in my soul
Madness - engulfing me
Host to a...
Pestilence of my existence
It seems stronger every day
Torn from a thorn in my side
Blind from a plank in my eye
God rid me of disease
Free me from hypocrisy
Love - what I hate - and I hate everything that I've become
Do - what I despise - every second of my life contradicts my words
Turn - from what I need - only selfishly - just to lust and feed
Nauseated and repulsed at my deeds
I put my hand to my head and I am becoming feverish
I'm coming down with it - becoming feverish
You disgust me - I disgust me
Disgust - disdain - disgust - in pain
Seventh Star is the twelfth studio album by the English heavy metal band Black Sabbath. Released on 20 January 1986 in the United States and on 21 February 1986 in the United Kingdom, it features founding guitarist Tony Iommi alongside musicians Geoff Nicholls, Eric Singer, and Dave Spitz, playing keyboards, drums, and bass, respectively, and Glenn Hughes, ex-Deep Purple and ex-Trapeze vocalist, as lead singer. The album was the group's first release without bassist and primary lyricist Geezer Butler, who left the band in 1984 after the Born Again tour. It was originally written, recorded, and intended to be the first solo album by Iommi. Because of the pressures from Warner Bros. Records and the prompting of band manager Don Arden, the record was billed as Black Sabbath featuring Tony Iommi. Despite the issues behind the release's production, it earned moderate commercial success, reaching number 27 in the UK and number 78 on the Billboard 200 chart.
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