Uno, uno, uno
Uno
Súbelo (Diablo')
Vengo con un flow hijuep*ta
Vengo con un flow hijuep*ta
Hasta abajo dale, hasta abajo dale
Con un flow hijue—
Esto es pa' las motorita' que se van en cuadrilla
Desde Carolina hasta La Puntilla, mucha guapería con babilla
Esto es Puertorro, puñeta, desde Las Antilla'
Los maleante' que guarden los cañone'
Porque hoy se baila con cojone'
Urba y Rome cocinando reggaetone'
Con aceite de freír, alcapurria' en Piñone'
Hasta abajo sucio con to'a la pandilla
Sudando agüita de alcantarilla
Esas nalga' dándome rosquilla
Son más peligrosa' que los turista' sin mascarilla
Pegando con to' los nudillo'
A lo Villa Margarita en Trujillo
Con un Phillie y con un cinquillo
Cristal light, un galón de agua y ron limoncillo
Se siente real cuando el Residente narra
Porque a mí nadie me escribe las barra'
Clase de grati', sin pizarra
Directamente 'el barrio, música sin piano y sin guitarra
Escribiendo música sin prisa
No monetiza pero los pelos te eriza
Pa'l carajo los charts
La verdadera copa es tener a to'a la disco chichando con ropa
Aquí no hay fórmula, esto es orgánico
Colonizamo' hasta los británico'
Cuando yo parto el beat nivel satánico
La competencia está con ataque de pánico
En esta pendejá' tirando lirica
Soy el cabrón, papá de tu f*cking papá
Lo tuyo e' wa-wa-wa, lo mío e' ra-ta-ta
Tú ere' una cebra y yo soy White Lion, pa'
Vengo, vengo, vengo, vengo, vengo, vengo
Vengo con un flow hijuep*ta
Vengo con un flow hijuep*ta
Hasta abajo dale, hasta abajo dale
Con un flow hijuep*ta
Vengo con un flow hijuep*ta
Vengo con un flow hijuep*ta
Hasta abajo dale, hasta abajo dale
Con un flow hijuep*ta
Esta va pa'l barrio, pa'l punto, pa' los difunto'
Pa' los pana' preso' pero siempre junto'
Pa' los que no chotearon e hicieron tiempo
Los que nunca valvulearon y están saliendo
De cora, pa' los que fuman y están bebiendo
Y hasta pa' lo que andan hueliendo
Pa' lo' calle full que le siguen metiendo
Y pa' to' el que esté jodiendo, ¿me copia'?
Pa' los del juey sacao y el budín de esquina
Y to'a las titerita' que maquinan
Pa' las que se escaparon y se perfumaron
Y hasta los panticito' se combinan
Pa' los que no llamamo' ni nos reportamo'
Y terminamo' el jangueo al otro día
Pa' to' los que fumamo' y no' emborrachamo'
Y sin cojone' nos tiene lo que nos digan
Pa'l que se medica y le pica, la vitamina
Dos po' encima y gasolina (Ey, ey)
Baile típico de marquesina
Pa' que sude caldo de oso con la meno' fina
Pa' los que en la disco la tienen lista
Y 'tan perreando en la pista
Pa' las que andan buscando su terrorista
Y pa' la' que viran el cuello como el exorcista
Pa' la cochebomba y la má' sanita
Y a la que se le nota en la carita
Lo mucho que han baila'o aunque se resistan
Y se la siguen dando en la má' santita
Pa' la' que culean y los que perrean
Pa' los de la vía y los que la menean
Pa' los del fogón y lo' que se coolean
Y pa' lo' Real G que no frontean
Vengo con un flow hijuep*ta
Vengo con un flow hijuep*ta
Hasta abajo dale, hasta abajo dale
Con un flow hijuep*ta
Vengo con un flow hijuep*ta
Vengo con un flow hijuep*ta
Hasta abajo dale, hasta abajo dale
Con un flow hijuep*ta
Evo Jedis
Don Omar, real name William Omar Landrón (Puerto Rico, February 10, 1978), is a Puerto Rican singer, songwriter and actor. He began singing and writing songs at age 12, feeling very close to the reggaeton style, which began to develop in Puerto Rico in the early 1990s. His musical beginnings saw him as an actor in the Iglesia de la Restauración en Cristo en Bayamón, where he served as a pastor for four years; after a romantic relationship, he was forced to leave his vows. In 2002, William Omar Landrón's career took a significant turn when Tito El Bambino, of the duo Héctor y Tito, decided to help him. It was during this period that he adopted the stage name Don Omar and composed some pieces for other singers, including Tito himself. He always collaborated with the duo on Reconquista. He became one of the most well-known representatives of reggaeton alongside Daddy Yankee, and his albums became classics of the musical genre. Don Omar is known for his energetic and spectacular concerts, which have taken him to perform all over the world. Among his most famous songs are "Dale Don Dale", "Pobre Diabla" and "Dile", while among his most successful albums are "The Last Don" (2006) and "Don Omar Presents: Meet the Orphans" (2009).
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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