Little Frankie went down to the barroom, she asked for a glass of beer
She said, "Hey, bartender, has my Johnny been here?"
"He's my man but he's done me wrong"
The bartender said "Frankie, ya know I won't tell ya no lie"
"He left here about a minute ago with a gal named Alice Fry"
"He's your man, but he's doin' you wrong"
Frankie was a good little woman, surely everybody knows
She paid one hundred dollars for Johnny's new suit of clothes
She loved her man but he done her wrong
Well then Frankie went down Broadway with a razor in her hand
She said "Stand back, all you women, I'm here for my cheatin' man"
"Yes, he's my man but he's done me wrong"
It was on a Friday mornin' about a ha'past nine o'clock
Frankie pulled her 44 and fired three fatal shots
She shot her man 'cause he done her wrong
(Why don'tcha run, Frankie?) they said (Frankie why don't you run?)
'cause here come the Chief Of Police with the 44 smokeless gun
You killed your man, we know he done you wrong
SPOKEN while FADING
Yeah, he done you wrong, Frankie
You shoulda shot him forty times
I'm a witness, Frankie, I was there
When you shot that man I saw
Sam Cooke (1931-1964) was a legendary American singer, songwriter, and record producer, considered one of the pioneers of soul music. Born in Clarksdale, Mississippi, Cooke began his musical career singing gospel in his local church. In 1957, he signed with Saratoga Records, releasing hits like "You Send Me" which made him a pop star. Cooke then founded his own record label, The Soul Stirrers, continuing to record highly successful gospel songs. Throughout the 1960s, Cooke established himself as one of the greatest soul artists with albums like "Ain't That Good News" and "Live at the Harlem Square Club", characterized by captivating melodies and deeply emotional lyrics. His rich and powerful vocal style, his musical sensitivity, and his songs that addressed social issues such as racial equality made him a cultural icon of great significance. Cooke was assassinated in 1964 at the age of 33, leaving an unfillable void in American music.
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