He put his arms around her shoulder
And with a voice that sounded older
He said mom I've got something on my mind
I don't want to bother you
But I sure need to talk to you
If you could only spare the time
And mom I hope you understand
How much I love and need you and
I don't want you to take this the wrong way
But don't you think I'm old enough
And big enough and strong enough to play
The games that daddies play
My friend Billy Parker's dad
Came by today to see me and
He wondered if I'd like to go
With him and Billy on a hike
And maybe camp out overnight
The way I've seen them do in picture shows
And there's one thing I'd like to do
And maybe if I asked him to
He's sit and talk to me man to man
We'd only be gone overnightAnd I could find out what it's like to play
The games that daddies play
She quickly turned to hide the tears
From her son of seven years
He didn't know she'd read between the lines
He'd never really known his dad
And although he'd never ask
She knew exactly what was on his mind
She searched her mind in desperation
Six long years of separation
Dimmed the words she knew she had to say
I hope you're never big enough
Or old enough or bold enough to play
The games that daddies play
I know you need and want his love
But son, you're the victim of
Another kind of games that daddies play
Conway Twitty, stage name of Harold Lloyd Jenkins (1933-1993), was a legendary American singer-songwriter and guitarist. Born in Arkansas, he began his musical career in the 1950s as a rockabilly artist, achieving success with the group The Imperials. In 1965, after a brief foray into country music, he embraced the pop-country style that would make him famous. With an unmistakable vocal timbre and catchy melodies, Twitty dominated the country charts for over two decades, selling millions of records and winning numerous awards. Among his most celebrated hits are "Hello Darlin'", "It's Only Make Believe" and "Tight Fittin' Jeans". Twitty is considered one of the cornerstones of modern country music, whose influence can still be felt in new generations of artists.
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