Alex Comfort, Nina Simone
Oh Daughter, dear Daughter,
Take warning from me
And don't you go marching
With the N-A-A-C-P.
For they'll rock you and roll you
And shove you into bed.
And if they steal your nuclear secret
You'll wish you were dead.
(refrain:)
Singin too roo la, too roo la, too roo li ay.
Singin too roo la, too roo la, too roo li ay.
Oh Mother, dear Mother,
No, I'm not afraid.
For I'll go on that march
And I'll return a virgin maid.
With a brick in my handbag
And a smile on my face
And barbed wire in my underwear
To she'd off disgrace.
(Refrain)
One day they were marching.
A young man came by
With a beard on his cheek
And a gleam in his eye.
And before she had time
To remember her brick...
They were holding a sit-down
On a nearby hay rig.
(Refrain)
For meeting is pleasure
And parting is pain.
And if I have a great concert
Maybe I won't have to sing those folk songs again.
Oh Mother, dear Mother
I'm stiff and I'm sore
From sleeping three nights
On a hard classroom floor.
(Refrain)
One day at the briefing
She'd heard a man say,
"Go perfectly limp,
And be carried away."
So when this young man suggested
It was time she was kissed,
She remembered her brief
And did not resist.
(Refrain)
Oh Mother, dear Mother,
No need for distress,
For the young man has left me
His name and address.
And if we win
Tho' a baby there be,
He won't have to march
Like his da-da and me.
Nina Simone, born Eunice Kathleen Waymon (1933-2003), was a legendary American singer-songwriter, pianist, and activist. Born in North Carolina to a deeply religious African American family, she displayed an extraordinary musical talent at an early age. After studying classical music at the Philadelphia Conservatory, Simone dedicated herself to jazz and blues, quickly becoming an iconic figure on the 1960s music scene. Her powerful and versatile voice, accompanied by her passionate piano playing, allowed her to address social and political issues with courage and sensitivity. Simone was a fervent supporter of civil rights, using her music as a tool of protest against racism and social injustice. Songs like «Mississippi Goddam» and «Four Women» became anthems of the fight for social justice. Her musical influence has been profound and lasting, inspiring generations of artists in various disciplines. Among her most important albums are *I Put a Spell on You* (1965) and *Wild Is the Wind* (1966).
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