Besieged in the battlements of Babylon,
Still looking for the hat-peg to hang your head upon -
Now you've found a place you think is Avalon:
You can talk to anyone here.
You can throw your arms around your nearest neighbour
And the smiling ones'll tell you that you've saved her,
That she's saved you...
They offer the golden promises
The instantly divine;
You swallow the golden promises
Hook, sinker and line.
If you choose to throw your soul around the attitude
Reasoning and independent thought go down the tube
As you go slavening after every inane platitude -
How weak you find yourself here.
Do you really need to lose yourself completely?
How come you seem to rate it all so cheaply?
It's so weak-kneed
To go for the golden promises,
Mail-order h
Oly vows;
You go for the golden promises -
I think you really ought to know better by now.
So I do my best and I do my nut,
I try to explain all these angles
But you turn away.
Oh, now you're looking in the white of my eyes,
And you know what I'm going to say: -
Don't go for the golden promises,
Don't go for the easy way...
It's right here on the doorstep:
Fool's gold - don't throw your life away.
Peter Joseph Andrew Hammill (born August 19, 1948) is a British singer-songwriter, keyboardist, and multi-instrumentalist, best known for being the frontman of Van der Graaf Generator and his prolific solo career. Hammill began playing music at the age of seven, influenced by artists like Bob Dylan and The Beatles. In 1967 he formed Van der Graaf Generator, a progressive rock band that achieved great success in the 1970s with albums such as "Pawn Hearts" (1972) and "Godbluff" (1970). Hammill is known for his unique, powerful, and theatrical vocal style, often accompanied by complex and introspective lyrics. After the first dissolution of Van der Graaf Generator in 1978, Hammill continued to record music under his own name, releasing over 30 albums throughout his career. Some of his most representative tracks include "A Plague of Lighthouse Keepers" (1973), "Man-Erg" (1976) and "The Silent Corner and the Empty Stage" (1982). His music is characterized by a dark, melodic, and often experimental atmosphere, with influences ranging from progressive rock to jazz fusion. Hammill has collaborated with numerous artists, including David Sylvian and Robert Fripp.
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