Steel Pulse

Lyrics Hijacking Steel Pulse

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Hijacking


Hijacking no skylarking
Hijacking no skylarking
A journey cross the ocean far and wide
All jet setters want to see the other side
Only Jah know there's a hijacker on board
Or any dynamite in the cargo down below
To be a hostage
I say's sure can't be much fun
And the next you're held for ransom
CHORUS
Hijacking a we don't want no
No skylarking no no no no no no
Hijacking a we don't want no
No skylarking you've just got to beware
RAP
Freeze, stick ‘em up, put your hands in the air
These are the words that I dread to hear
Hijack almost everywhere
Hostage here hostage there
Held up for ransom running scared
How much can the people bear
Those who travel by sea or air
Life's a booby trap so you better beware
You better beware
It's a booby trap so you better beware
Hijack, Skyjack
Sit down Mac,
Stick up Jack
A flight of terror
Can't be no fun no
A flight of terror
Can't be no no
CHORUS
Hijacking a we don't want no
No skylarking no no no no no no
Hijacking a we don't want no
No skylarking you've just got to beware
Hijacking I need some fun
You got me on the run
No skylarking no
Give me no more hijack
Hijacking I need some fun
You got me on the run
No skylarking Aoc! Och!
A flight of terror
Can't be no fun no
A flight of terror
Can't be no no
Hijacking we don't want no
No skylarking we don't no
Hijacking no no no no no
No skylarking want no more
Hijacking (We don't want no)
(We don't want no)

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Biografia

Steel Pulse is one of the most successful British reggae bands, both creatively and commercially. Hailing from Handsworth, Birmingham, they began performing in the 1970s, blending authentic reggae roots with jazz and Latin influences. This unique approach earned them an international following, leading to the release of their debut album, "Handsworth Revolution", in 1978. Widely considered a landmark in British reggae, the album marked the beginning of a successful career. Before the end of the 1980s, Steel Pulse won a Grammy Award, cementing their status as prominent crossover reggae artists. In subsequent years, the band returned to roots sounds, incorporating elements of dancehall and hip-hop. Notable tracks include "Ku Klux Klan", "Sound System", "Steppin' Out" and "Jah Jah City".

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