I Can't Dance
I can't dance.
I can't dance.
Besides, I'm two feet shorter than the girls are.
All these dancing parties are just plain dumb.
When they asked, I should have said, "I can't come."
There's a girl with braces,
Standing by the punch bowl and she's making funny faces.
I guess she wants to dance.
I can't dance.
I can't dance.
Besides I look so awful in these braces.
If that boy wants me to dance, I'll just die.
I'm so tall, and he's about three feet high.
Ever since September,
I've been taking dancing lessons, now I can't remember
How the heck to dance.
Pardon me.
My name's Jeff.
And I don't mind if you are tall and skinny.
And those braces on your teeth,
They're real neat.
Thank you for the compliment, Gee you're sweet.
Your name is Carlotta.
I met you last summer when we went to Camp Granada.
We oughta try to dance.
Right foot first.
Left foot next.
I think you're sposed to do it to the music.
You don't really look so bad, just your ears.
When do you take your braces off?
Four more years.
By the time your teeth are ready,
I'll be two feet taller, and I'll ask you to go steady.
Then we'll dance
Allan Sherman (November 30, 1924 – November 20, 1973) was an American comedy writer and television producer who became famous as a song parodist in the early 1960s. Born in New York to a Jewish family, Sherman began his career as a comedy writer for theater and television. His debut album, *My Son, the Folk Singer* (1962), became the fastest-selling record album up to that time, thanks to the success of songs like "Hello Muddah, Hello Fadduh", a parody of Ponchielli's famous *Dance of the Hours*. Sherman continued to release successful albums throughout the 1960s and 1970s, characterized by intelligent humor and catchy melodies. Among his most famous songs are also "The Ballad of Irving Berlin" and "A Bushel and a Peck". His music helped define American musical humor in the 1960s, influencing generations of artists.
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