Gee, but it's tough to be broke, kid.
It's not a joke, kid, it's a curse.
My luck is changing, it's gotten from
simply rotten to something worse
Who knows, some day I will win too.
I'll begin to reach my prime.
Now though I see what our end is,
All I can spend is just my time.
I can't give you anything but love, baby.
That's the only thing I've plenty of,baby.
Dream awhile, scheme awhile
We're sure to find
Happiness and I guess
All those things you've always pined for.
Gee I'd like to see you looking swell, baby.
Diamond bracelets Woolworth doesn't sell, baby.
Till that lucky day you know darned well, baby.
I can't give you anything but love.
Rome wasn't built in a day, kid.
You have to pay, kid, for what you get.
But I am willing to wait, dear,
Your little mate, dear, will not forget.
You have a lifetime before you.
I'll adore you, come what may.
Please don't be blue for the present,
When it's so pleasant to hear you say
I can't give you anything but love, baby.
That's the only thing I've plenty of,baby.
Dream awhile, scheme awhile
We're sure to find
Happiness and I guess
All those things you've always pined for.
Gee I'd like to see you looking swell, baby.
Diamond bracelets Woolworth doesn't sell, baby.
Till that lucky day you know darned well, baby.
I can't give you anything but love.
Lee Konitz (Leon Konitz, Chicago, 10 novembre 1927 – New York, 15 aprile 2023) è stato un sassofonista e compositore statunitense di musica jazz. Considerato uno dei più influenti musicisti del bebop e della cool jazz, Konitz ha caratterizzato il suo stile con una melodia fluida e un'improvvisazione libera e creativa. Dopo aver studiato al Berklee College of Music, si è trasferito a New York nel 1947, dove ha collaborato con artisti come Miles Davis, Gerry Mulligan e Chet Baker. Nel 1949 ha formato il celebre quartetto di jazz con Mulligan, che ha rivoluzionato l'approccio alla musica jazz con un sound innovativo e minimalista. Konitz è stato anche un compositore prolifico, scrivendo brani per orchestra e ensemble jazz. Tra i suoi album più importanti ricordiamo "The Lee Konitz Quartet" (1952) e "Subconscious-Lee" (1960). Tra le sue canzoni più rappresentative: "Subconscious-Lee", "Lullaby of Birdland", "I'm Old Fashioned".
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