ALBUM : Être Libre (2003) - *2
(Marc Lavoine / Frédéric Lerner)
Il ne suffit pas de dire
Tous les mots meme les plus doux
Il ne suffit pas de s'aimer comme des fous
Ca n'suffit pas de s'imaginer
Il ne suffit pas d'y croire
Ca ne suffira jamais
Il ne suffit pas de projets d'avenir
Ni de promesses que l'on se fait
Il faut se faire l'amour tous les jours un peu plus fort
Il faut se faire l'amour entre la vie et la mort
Il faut se faire l'amour meme le corps fatigué
Il faut se faire l'amour et tous les jours recommencer...
Il ne suffit pas de chanter
La paix, la solidarité
Il ne suffit pas de croire en ses idées
Ca ne suffit pas de se révolter
REFRAIN
Il faut se faire l'amour tous les jours un peu plus fort
Il faut se faire l'amour entre la vie et la mort
Il faut se faire l'amour meme le corps fatigué
Il faut le faire encore et tous les jours recommencer
(Instru)
Il ne suffit pas de projets d'avenir
Ni de promesses qu'on ne tient jamais
REFRAIN
Il faut se faire l'amour tous les jours un peu plus fort
Il faut se faire l'amour entre la vie et la mort
Il faut se faire l'amour meme le corps fatigué
S'aimer pour faire l'amour, se faire l'amour pour s'aimer.
Alan Jay Lerner (August 31, 1918 – June 14, 1986) was an American lyricist and librettist. Collaborating with Frederick Loewe, he created some of the world's most popular and enduring works of musical theatre for both the stage and on film. He won three Tony Awards and three Academy Awards, among other honors. Lerner was born in New York City to a Jewish family. After studying at Harvard University, he began his career as a journalist and writer of theatrical screenplays. In 1943, he met Loewe and together they forged a successful artistic partnership that produced masterpieces such as *Brigadoon*, *My Fair Lady* and *Camelot*. Their works are characterized by memorable melodies, poetic lyrics and romantic and adventurous stories. Lerner was also a prolific screenwriter for film, writing screenplays and librettos for musicals like *Gigi* (1958) and *Paint Your Wagon* (1965). His work has left an indelible mark on the world of musical theatre, inspiring generations of artists and enthusiasts.
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