I'M NOT GONNA LET IT BOTHER ME TONIGHT
Atlanta Rhythm Section
I picked up the paper this morning
And read all the daily blues
The world is one big tragedy
I wonder what I can do
About all the pain and injustice
About all of the sorrow
We're living in a danger zone
The world could end tomorrow
But I'm not gonna let it bother me tonight
I'm not gonna let it bother me tonight
Tomorrow I might go as far as suicide
But I won't let it bother me tonight
Life on the street is a jungle
A struggle to keep up the pace
I just can't beat that old dog eat dog
The rats keep winnin' the rat race
But I'm not gonna let it bother me tonight
I'm not gonna let it bother me tonight
The world is in an uproar and I see no end in sight
But I won't let it bother me tonight
I'm not gonna let it bother me tonight
Tomorrow I might go as far as suicide
But I won't let it bother me tonight
Lord, Lord, Lord
We got nothing but trouble
I've done all I can do today
So bartender pour me a double, right now
But I['m not gonna let it bother me tonight
I'm not gonna let it bother me tonight
The world is in an uproar and I see no end in sight
But I won't let it bother me tonight
I'm not gonna let it bother me tonight
No I'm not gonna let it bother me tonight
Tomorrow I might go as far as suicide
But I will not let it bother me tonight
Atlanta Rhythm Section (ARS) is an American southern rock band formed in 1970 in Doraville, Georgia. Originally composed of former members of the groups Candymen and Classics IV, the lineup came together as a session group for the newly opened Studio One. Their sound, characterized by bluesy riffs, catchy melodies, and complex arrangements, led them to success in the 1970s with songs like "So Into You", "Imaginary Lover" and "Champagne Jam". ARS released 12 studio albums between 1974 and 1986, collaborating with prominent producers such as Barry Beckett and Ron Nevison. The band was influenced by artists like The Allman Brothers Band and Lynyrd Skynyrd, contributing to defining the identity of American southern rock.
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